{"id":1064,"date":"2026-04-26T15:48:00","date_gmt":"2026-04-26T12:48:00","guid":{"rendered":"https:\/\/revistapontica.com\/?p=1064"},"modified":"2026-05-04T14:57:53","modified_gmt":"2026-05-04T11:57:53","slug":"pontica-nr-53-2020","status":"publish","type":"post","link":"https:\/\/revistapontica.com\/en\/pontica-nr-53-2020\/","title":{"rendered":"Pontica No. 53 (2020)"},"content":{"rendered":"
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DESCHIDE PONTICA NR. 53- VARIANTA COMPLET\u0102 \u00ceN FORMAT .PDF<\/strong> (173 Mb)<\/a><\/div>\n<\/div>\n\n\n\n
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SUMMARY<\/strong>
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MARTIRII GO\u0162I: ARIENI \u00ceN CALENDARUL NICEEAN, SAU NICEENI \u00ceN CALENDARUL ARIAN?<\/summary>\n

Cuvinte-cheie<\/strong>: Ulfila, go\u0163i, convertire, cre\u015ftinism, Dun\u0103rea de Jos, Constantin celMare, Constantius II, Valens, arianism, audieni, ortodoxie, niceeni, confesiuni cre\u015ftine.<\/em>
Mots-cl\u00e9s<\/strong>: Ulfila, Goths, conversion, christianisme, Bas-Danube, Constantin leGrand, Constantius II, Valens, arianisme, audiens, orthodoxie, nic\u00e9ens, confessionschr\u00e9tiennes.<\/em><\/p>\n\n\n\n

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Mihai Ovidiu C\u0102\u0162OI<\/strong><\/strong><\/strong><\/strong>
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NOI INTERPRET\u0102RI PRIVIND EVOLU\u021aIA ORGANIZ\u0102RII BISERICE\u0218TI PE TERITORIUL PROVINCIEI ROMANE SCYTHIA \u00ceN SECOLUL AL VI-LEA P.CHR.<\/summary>\n

Cuvinte<\/strong>–cheie<\/strong>: provincia roman\u0103 Scythia, organizarea bisericeasc\u0103, Codex Iustinianus,Synecdemus, Notitiae episcopatuum.<\/em>
Keywords<\/strong>: The Roman province of Scythia, ecclesiastical organization, CodexIustinianus, Hierocles’ Synecdemus, Notitiae episcopatuum.<\/em><\/p>\n\n\n\n

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Ionu\u021b HOLUBEANU<\/strong><\/strong><\/strong>
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ENCORE UNE FOIS SUR LA DATATION ET L\u2019ORGANISATION DES MOINES DANS LE MONAST\u00c8RE RUPESTRE DE MURFATLAR (D\u00c9P. DE CONSTAN\u021aA)<\/summary>\n

Cuvinte<\/strong>–cheie<\/strong>: Murfatlar, biserici rupestre, Dobrogea, Cappadocia, graffiti.
Mots cl\u00e9s<\/strong>: Murfatlar, \u00e9glises rupestres, Dobroudja, Cappadoce, graffiti.<\/em><\/p>\n\n\n\n

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Georgi ATANASOV<\/strong><\/strong><\/strong>
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PRODUCTION OF BONE RINGS IN THE HAMANGIA SETTLEMENT OF CHEIA (ROMANIA)<\/summary>\n

Cuvinte<\/strong>–cheie<\/strong>: cultura Hamangia, oase de ovicaprine, schema tehnic\u0103 de transformare, reconstituirea experimental\u0103 a procedeelor<\/em>
Keywords<\/strong>: Hamangia Culture, ovicaprines bones, technical transformation scheme,experimental replication procedures<\/em><\/p>\n\n\n\n

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Monica M\u0102RG\u0102RIT<\/strong>
Valentina Mihaela VOINEA<\/strong>
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ANALIZE XRF ASUPRA UNOR PIGMEN\u021aI IDENTIFICA\u021aI PE PIESE DIN LUT ARS DIN CULTURA GUMELNI\u021aA DESCOPERITE PE TERITORIUL JUDE\u021aULUI D\u00c2MBOVI\u021aA<\/summary>\n

Cuvinte<\/strong>–cheie<\/strong>: flourescen\u021b\u0103 de raze X, analize de pigment, ceramic\u0103, plastic\u0103antropomorf\u0103, cultura Gumelni\u021ba.
Keywords<\/strong>: X-ray fluorescence, pigment analysis, ceramic, anthropomorphicfigurines, Gumelni\u021ba culture.<\/em><\/p>\n\n\n\n

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Ana ILIE<\/strong>
Daniela STAN<\/strong>
Bogdan CONSTANTINESCU<\/strong>
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SEQUENCE OF GRAVES IN BARROWS 4TH-3RD MILLENNIUM BCIN THE DANUBE-TISZA REGION<\/summary>\n

Cuvinte<\/strong>–cheie<\/strong>: tumuli, cultura Yamnaya, rit funerar, cronologie radiocarbon.
Keywords<\/strong>: barrows, Yamnaya culture, funeral rite, radiocarbon chronology.<\/em><\/p>\n\n\n\n

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Piotr W\u0141ODARCZAK<\/strong><\/strong>
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VASE ALE PICTORULUI POLOS-ULUI DIN ZONA SACR\u0102 DE LA HISTRIA<\/summary>\n

Cuvinte<\/strong>–cheie<\/strong>: Histria, sanctuar, ceramic\u0103 atic\u0103, Pictorul Polos-ului, dedica\u021bii.<\/em>
Keywords<\/strong>: Histria, sanctuary, Polos Painter, dedications.<\/em><\/p>\n\n\n\n

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Iulian B\u00ceRZESCU<\/strong><\/strong>
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ON THE IMAGE OF THE APPLIQUE OF PHIALE B 71 FROM TOMB 1\/II IN THE MOGILANSKA MOGILA TUMULUS<\/summary>\n

Cuvinte<\/strong>–cheie<\/strong>: fiala B 71, morm\u00e2ntul 1\/II, tumulul Mogilanska Mogila, iconografie monetar\u0103, Afrodita, nimf\u0103, phiala.<\/em>
Keywords<\/strong>: Phiale B 71, Tomb 1\/II, Mogilanska Mogila tumulus, coin images,Aphrodite, nymph, phiale.<\/em><\/p>\n\n\n\n

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Denis BORISOV<\/strong><\/strong>
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FRAGMENTE DE SCULPTURI DIN SECTORUL T DE LA HISTRIA CU REPREZENTAREA DIVINIT\u0102\u021aII METER THEON<\/summary>\n

Cuvinte<\/strong>–cheie<\/strong>: statuete marmur\u0103, Meter Theon\/Cybele, Histria, epoca elenistic\u0103 \u0219iroman\u0103, sanctuar.<\/em>
Keywords<\/strong>: marble statuettes, Meter Theon\/Cybele, Histria, Hellenistic and Romanperiods, sanctuary.<\/em><\/p>\n\n\n\n

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Florina PANAIT-B\u00ceRZESCU<\/strong><\/strong>
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TERACOTE DIN A\u0218EZAREA CIVIL\u0102 DE LA OSTROV (DUROSTORUM), JUDE\u021aUL CONSTAN\u021aA (V)<\/summary>\n

Cuvinte<\/strong>–cheie<\/strong>: Ostrov\/Durostorum, cercet\u0103ri arheologice, teracote, animale, baze,socluri.<\/em>
Keywords<\/strong>: Ostrov\/Durostorum, archaeological researches, terracottas, animals, bases,postaments.<\/em><\/p>\n\n\n\n

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Adela B\u00c2LT\u00c2C<\/strong>
Christina \u0218TIRBULESCU<\/strong>
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SHEDDING NEW LIGHT ON A LOT OF ROMAN LAMPS FROM TOMIS FROM THEMARIA AND DR. GEORGE SEVEREANU COLLECTION<\/summary>\n

Cuvinte<\/strong>–cheie<\/strong>: l\u0103mpi romane, pontice, ateliere locale, m\u0103rci de olar, importuri.<\/em>
Keywords<\/strong>: Roman lamps, Pontic, local workshops, potter marks, imports.<\/em><\/p>\n\n\n\n

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Alina STREINU<\/strong>
Dan P\u00ceRVULESCU<\/strong>
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SOME PONTIC FLAVOUR ON THE LYCIAN TABLE. PONTIC AMPHORAE IN LIMYRA<\/summary>\n

Cuvinte<\/strong>–cheie<\/strong>: Limyra, Licia antic\u0103, amfore romane, amfore pontice romane t\u00e2rzii, Sinope, comer\u021b.
Keywords<\/strong>: Limyra, ancient Lycia, Roman amphorae, Late Roman Pontic amphorae, Sinope, trade.<\/p>\n\n\n\n

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Philip BES<\/strong>
Alexandra DOLEA<\/strong>
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WIND FROM WEST – NOTES ON ORIGINS OF A SPECIAL TYPE OF HANDLE WITH HORIZONTAL THUMB PLATE IN EURASIA (1ST – 10TH C. AD.)<\/summary>\n

Cuvinte<\/strong>–cheie<\/strong>: toreutic\u0103, antichitate, ev mediu timpuriu, rute comerciale antice, Drumul M\u0103t\u0103sii.<\/em>
Keywords<\/strong>: toreutics, antiquity, early middle ages, ancient exchange routes, SilkRoad.<\/em><\/p>\n\n\n\n

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Bart\u0142omiej Szymon SZMONIEWSKI<\/strong>
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EARLY MEDIEVAL BULGARIAN BELT SET \u2013 COMPOSITION AND FUNCTION<\/summary>\n

Cuvinte<\/strong>–cheie<\/strong>: piese de centur\u0103 din Bulgaria, arta produc\u021biei de metale, compozi\u021bie, func\u021bie, utilitate.<\/em>
Keywords<\/strong>: Bulgarian belt set, production of metal art, composition, function, use.<\/em><\/p>\n\n\n\n

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Stela DONCHEVA<\/strong><\/strong>
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SIMILAR TRAITS AND INFLUENCES IN THE PRODUCTION OF BELT SETS IN BULGARIA AND ROMANIA IN THE 10th CENTURY AD<\/summary>\n

Cuvinte<\/strong>–cheie<\/strong>: centre de prelucrare a metalului, secolul al X-lea, produc\u021bia de piesede centur\u0103, prelucrarea metalului.
Keywords<\/strong>: metal art centres, 10th century, production of belt sets, metalworking.<\/em><\/p>\n\n\n\n

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Stela DONCHEVA<\/strong><\/strong>
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OBJETS DE V\u00c9N\u00c9RATION PERSONNELLE PROVENANT DEVRATITZA M\u00c9DI\u00c9VALE<\/summary>\n

Cuvinte<\/strong>–cheie<\/strong>: Evul mediu, biserici medievale, obiecte de venera\u021bie personal\u0103,cruce relicvar, inel cu hristogram\u0103.<\/em>
Keywords<\/strong>: Middle Age, medieval churches, objects for personal veneration, crossreliquary, ring with Christogram.<\/em><\/p>\n\n\n\n

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Maria CHRISTOVA-PENKOVA<\/strong>
Aleksandra PETROVA<\/strong>
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INVENTORY OF LATE ANTIQUE AND MEDIEVAL PORTSALONG THE WESTERN BLACK SEA<\/summary>\n

Cuvinte<\/strong>–cheie<\/strong>: porturi medievale, h\u0103r\u021bi nautice, geoarheologie, re\u021bea.<\/em>
Keywords<\/strong>: medieval ports, nautical charts, geoarchaeology, network.<\/em><\/p>\n\n\n\n

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Preslav PEEV<\/strong>
Alkiviadis-Alexandros GINALIS<\/strong>
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NEWS OF CLASSIS FLAVIA MOESICA IN RASOVA. REEXAMINING THE TILE STAMPS OF THE FLEET ON THE LOWER DANUBE LIMES<\/summary>\n

Cuvinte<\/strong>–cheie<\/strong>: Classis Flavia Moesica, milites nauclarii, statio, \u0219tampil\u0103 tegular\u0103,CLASFM, tipologie.<\/em>
Keywords<\/strong>: Classis Flavia Moesica, milites nauclarii, statio, tile stamp, CLASFM, typology.<\/em><\/p>\n\n\n\n

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Ioan Carol OPRI\u0218<\/strong><\/strong>
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NOTES \u00c9PIGRAPHIQUES (XI)<\/summary>\n

Cuvinte<\/strong>–cheie<\/strong>: inscrip\u0163ii grece\u015fti, Tropaeum Traiani, Callatis, Tomis, concursuri,nume trace.<\/em>
Keywords<\/strong>: Greek inscriptions, Tropaeum Traiani, Callatis, Tomis, contests,Thracian names.<\/em><\/p>\n\n\n\n

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Alexandru AVRAM<\/strong><\/strong>
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NOTES ON GREEK INSCRIPTIONS (II)<\/summary>\n

Cuvinte<\/strong>–cheie<\/strong>: inscrip\u0163ii grece\u015fti, Istros, Tomis, Callatis. Macedonia, inscrip\u021bii onorifice, decrete, albume, dedica\u021bii<\/em>
Keywords<\/strong>: Greek inscriptions, Istros, Tomis, Callatis, Macedonia, honorific inscriptions, decrees, albums, dedications<\/em><\/p>\n\n\n\n

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Drago\u0219 H\u0102LMAGI<\/strong>
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LA CUISINE DES CONGR\u00c8S. LA CORRESPONDANCE ENTRE DIONISIE M. PIPPIDI ETGEORGI MIHAILOV (1975-1981)<\/summary>\n

Cuvinte-cheie:<\/strong> AIEGL, congres, epigrafie, Georgi Mihailov, Hans-Georg Pflaum,Dionisie M. Pippidi.
Mots-cl\u00e9s <\/strong>: AIEGL, congr\u00e8s, \u00e9pigraphie, Georgi Mihailov, Hans-Georg Pflaum,Dionisie M. Pippidi.<\/p>\n\n\n\n

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Dan DANA<\/strong><\/strong>
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CONTRIBU\u021aII PRIVIND PREZEN\u021aA MONEDELOR REGATULUI CELTIC DIN THRACIA \u00ceN DOBROGEA<\/summary>\n

Cuvinte<\/strong>–cheie<\/strong>: moned\u0103, regatul celtic, Kavaros, secolul III a.Chr., Dobrogea, Thracia.<\/em>
Keywords<\/strong>: coin, the Celtic kingdom, Kavaros, 3rd century BC, Dobruja, Thrace.<\/em><\/p>\n\n\n\n

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Gabriel Mircea TALMA\u021aCHI<\/strong>
Cristian CEALERA<\/strong>
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DATE NOI PRIVIND PONDURI ANTICE \u0218I MEDIEVALE T\u00c2RZII DESCOPERITE \u00ceN DOBROGEA<\/summary>\n

Cuvinte cheie<\/strong>: pond, Dobrogea, dirhem, semissis, tremissis.
Keywords<\/strong>: pond, Dobrogea, dirhem, semissis, tremissis<\/em><\/p>\n\n\n\n

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Gabriel CUSTUREA<\/strong><\/strong>
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\u0410\u043c\u0444\u043e\u0440\u043d\u044b\u0435 \u043a\u043b\u0435\u0439\u043c\u0430 \u0438\u0437 \u0422\u0438\u0440\u044b (\u0440\u0430\u0441\u043a\u043e\u043f\u043a\u0438 1998-2008 \u0433\u0433.) \/ Amfornye klejma iz Tiry (raskopki1998-2008 gg.), Oleg Filjuk, Kiev, 2017, 234 p.<\/summary>\n

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Natalia MATEEVICI<\/strong>
Tatiana L. SAMOJLOVA<\/strong>
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Bibliographia classica orae septentrionalis Ponti Euxini. Vol. III. Ars, res sacrae & mythologica, mit Beitr\u00e4gen von Lavinia Grumeza, Lucian Munteanu, Annam\u00e1ria-Izabella P\u00e1zsint, DanRuscu, Ligia Ruscu, Editura Mega, Cluj-Napoca 2019, 648 p<\/summary>\n

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Victor COJOCARU<\/strong><\/strong>
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Alexandru Barnea<\/strong><\/strong>
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Emilian Popescu<\/strong><\/strong>
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Mihail Zahariade<\/strong><\/strong>
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C\u0102R\u021aI STR\u0102INE \u0218I ROM\u00c2NE\u0218TI INTRATE \u00ceN BIBLIOTECA MINAC \u00ceN 2019<\/strong>
–Open PDF version<\/a>–<\/p>","protected":false},"excerpt":{"rendered":"

SUMAR–deschide varianta PDF– Mihai Ovidiu C\u0102\u0162OI–deschide varianta PDF– Ionu\u021b HOLUBEANU–deschide varianta PDF– Georgi ATANASOV–deschide varianta PDF– Monica M\u0102RG\u0102RITValentina Mihaela VOINEA–deschide varianta PDF– Ana ILIEDaniela STANBogdan CONSTANTINESCU–deschide varianta PDF– Piotr W\u0141ODARCZAK–deschide varianta PDF– Iulian B\u00ceRZESCU–deschide varianta PDF– Denis BORISOV–deschide varianta PDF– Florina PANAIT-B\u00ceRZESCU–deschide varianta PDF– Adela B\u00c2LT\u00c2CChristina \u0218TIRBULESCU–deschide varianta PDF– Alina STREINUDan P\u00ceRVULESCU–deschide varianta PDF– Philip […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[],"class_list":["post-1064","post","type-post","status-publish","format-standard","hentry","category-revista"],"_links":{"self":[{"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/posts\/1064","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/comments?post=1064"}],"version-history":[{"count":6,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/posts\/1064\/revisions"}],"predecessor-version":[{"id":3314,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/posts\/1064\/revisions\/3314"}],"wp:attachment":[{"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/media?parent=1064"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/categories?post=1064"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/tags?post=1064"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}