{"id":1136,"date":"2026-04-26T15:44:55","date_gmt":"2026-04-26T12:44:55","guid":{"rendered":"https:\/\/revistapontica.com\/?p=1136"},"modified":"2026-05-04T15:38:28","modified_gmt":"2026-05-04T12:38:28","slug":"pontica-nr-51-2018","status":"publish","type":"post","link":"https:\/\/revistapontica.com\/en\/pontica-nr-51-2018\/","title":{"rendered":"Pontica No. 51 (2018)"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img fetchpriority=\"high\" decoding=\"async\" width=\"725\" height=\"1024\" src=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/pontica-51-725x1024.jpg\" alt=\"\" class=\"wp-image-1346\" style=\"width:539px;height:auto\" srcset=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/pontica-51-725x1024.jpg 725w, https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/pontica-51-213x300.jpg 213w, https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/pontica-51-768x1084.jpg 768w, https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/pontica-51-9x12.jpg 9w, https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/pontica-51.jpg 850w\" sizes=\"(max-width: 725px) 100vw, 725px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-fe48e5de wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-small-font-size has-custom-font-size wp-element-button\" href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/1-Pontica-51-2018.pdf\" style=\"border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-left-radius:0px;border-bottom-right-radius:0px\"><strong>DESCHIDE PONTICA NR. 51 &#8211; VARIANTA COMPLET\u0102 \u00ceN FORMAT .PDF<\/strong> (42 Mb)<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>SUMMARY<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/2-Pontica-51-2018-Sumar.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/2-Pontica-51-2018-Sumar.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Herakles \u2013 fondatorul legendar al cet\u0103\u0163ii Callatis<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Callatis, Herakles.<\/em><br><em><strong>Keywords<\/strong>: Callatis, Herakles<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong><strong><strong>LAURENTIU RADU<\/strong><\/strong><\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/3-Pontica-51-2018-LAURENTIU-RADU-\u2013-Herakles-\u2013-fondatorul-legendar-al-cetatii-Callatis.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/3-Pontica-51-2018-LAURENTIU-RADU-\u2013-Herakles-\u2013-fondatorul-legendar-al-cetatii-Callatis.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Termini huius imperii. Frontierele \u0219i spa\u021biul Imperiului \u00een Panegyrici Latini (sec. III-IV)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Panegyrici Latini, limes, terminus, finis, ripa, orbis, Imperiul roman t\u00e2rziu, propagand\u0103 imperial\u0103, barbari, integrare.<\/em><br><em><strong>Keywords<\/strong>: Panegyrici Latini, limes, terminus, finis, ripa, orbis, Late Roman Empire, imperial propaganda, barbarians, integration.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong><strong>NELU ZUGRAVU<\/strong><\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/4-Pontica-51-2018-NELU-ZUGRAVU-Termini-huius-imperii.-Frontierele-si-spatiul-Imperiului-in-Panegyrici-Latini-sec.-III-IV.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/4-Pontica-51-2018-NELU-ZUGRAVU-Termini-huius-imperii.-Frontierele-si-spatiul-Imperiului-in-Panegyrici-Latini-sec.-III-IV.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>\u00cenceputurile cercet\u0103rii arheologice la Capidava. Documente inedite<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Kale-k\u00f6y\/ Calachioi, Capidava, carier\u0103 de piatr\u0103, Vasile P\u00e2rvan,Pamfil Polonic, Grigore Florescu, Muzeul Na\u021bional de Antichit\u0103\u021bi, Comisiunea Monumentelor Istorice, toponimie, epigrafie, cartografie, 1924.<\/em><br><em><strong>Keywords<\/strong>: Kale-k\u00f6y\/ Calachioi, Capidava, stone quarry, Vasile P\u00e2rvan, Pamfil Polonic, Grigore Florescu, National Museum of Antiquities, Historical Monuments Commission, toponymy, epigraphy, cartography, 1924.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong><strong>IOAN CAROL OPRI\u0218<\/strong><\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/5-Pontica-51-2018-IOAN-CAROL-OPRIS-\u2013-Inceputurile-cercetarii-arheologice-la-Capidava.-Documente-inedite.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/5-Pontica-51-2018-IOAN-CAROL-OPRIS-\u2013-Inceputurile-cercetarii-arheologice-la-Capidava.-Documente-inedite.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Numele provinciei mitropoliei de Marcianopolis \u00een Notitiae episcopatuum<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Notitiae episcopatuum, Moesia Secunda, Marcianopolis.<\/em><br><em><strong>Keywords<\/strong>: Notitiae episcopatuum, Moesia Secunda, Marcianopolis.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong><strong>IONU\u021a HOLUBEANU<\/strong><\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/6-Pontica-51-2018-IONUT-HOLUBEANU-\u2013-Numele-provinciei-mitropoliei-de-Marcianopolis-in-Notitiae-episcopatuum.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/6-Pontica-51-2018-IONUT-HOLUBEANU-\u2013-Numele-provinciei-mitropoliei-de-Marcianopolis-in-Notitiae-episcopatuum.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Some Thoughts on the Greek Milieu in Rome in Relation to the Cyrillo-Methodian Mission<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Sf. Constantin-Cyril, Sf. Methodius, Roma medieval-timpurie,domeniul papal, greci, imperiul bizantin.<\/em><br><em><strong>Keywords<\/strong>: St. Constantine-Cyril, St. Methodius, early medieval Rome, the Papalrealm, Greeks, the Byzantine Empire.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>MARTIN HUS\u00c1R<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/7-Pontica-51-2018-MARTIN-HUSAR-\u2013-Some-Thoughts-on-the-Greek-Milieu-in-Rome-in-Relation-to-the-Cyrillo-Methodian-Mission.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/7-Pontica-51-2018-MARTIN-HUSAR-\u2013-Some-Thoughts-on-the-Greek-Milieu-in-Rome-in-Relation-to-the-Cyrillo-Methodian-Mission.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Red Ochre \u2013 for Special Dead and Dangerous Dead<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: ocru ro\u015fu, eneolitic, necropol\u0103, practici de \u00eenmorm\u00e2ntare,Bulgaria, cultura Kodjadermen \u2013 Gumelnitsa \u2013 Karanovo VI, Varna.<\/em><br><em><strong>Keywords<\/strong>: red ochre, eneolithic, necropolis, burial practices, Bulgaria,Kodjadermen \u2013 Gumelnitsa \u2013 Karanovo VI culture, Varna.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>VANYA STAVREVA<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/8-Pontica-51-2018-VANYA-STAVREVA-\u2013-Red-Ochre-\u2013-for-Special-Dead-and-Dangerous-Dead.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/8-Pontica-51-2018-VANYA-STAVREVA-\u2013-Red-Ochre-\u2013-for-Special-Dead-and-Dangerous-Dead.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>From the Bottom of the Sea &#8211; the Early Bronze Age Ceramics from Sozopol and Urdoviza<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Epoca bronzului timpuriu, arheologie subacvatic\u0103, ceramic\u0103,Sozopol, Kiten, Urdoviza, Primorsko, Coasta de Sud a Bulgariei.<\/em><br><em><strong>Keywords<\/strong>: Early Bronze Age, underwater excavations, ceramics, Sozopol, Kiten,Urdoviza, Primorsko, South Bulgarian coast.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>HRISTINA VASILEVA<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/9-Pontica-51-2018-HRISTINA-VASILEVA-\u2013-From-the-Bottom-of-the-Sea-the-Early-Bronze-Age-Ceramics-from-Sozopol-and-Urdoviza.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/9-Pontica-51-2018-HRISTINA-VASILEVA-\u2013-From-the-Bottom-of-the-Sea-the-Early-Bronze-Age-Ceramics-from-Sozopol-and-Urdoviza.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Roman Glassware from Korean Peninsula &#8211; Silla, Gaya, Baekje from Fourth to Sixth Century A.D. Myth or Reality (I)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: sticl\u0103, obiecte din sticl\u0103 romane, Drumul M\u0103t\u0103sii, Coreea, Cele Trei Regate, Orientul \u00eendep\u0103rtat.<br><strong>Keywords<\/strong>: Glass, Roman glassware, Silk Road, Korea, Three Kingdoms, Far East<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>BARTLOMIEJ SZMONIEWSKI<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/10-Pontica-51-2018-BARTLOMIEJ-SZMONIEWSKI-\u2013-Roman-Glassware-from-Korean-Peninsula-Silla-Gaya-Baekje-from-Fourth-to-Sixth-Century-A.D.-Myth-or-Reality-I.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/10-Pontica-51-2018-BARTLOMIEJ-SZMONIEWSKI-\u2013-Roman-Glassware-from-Korean-Peninsula-Silla-Gaya-Baekje-from-Fourth-to-Sixth-Century-A.D.-Myth-or-Reality-I.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Synth\u00e8se sur le patrimoine arch\u00e9ologique subaquatique en Roumanie<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Mots-cl\u00e9s:<\/strong> Antiquit\u00e9, amphores, ancres, \u00e9paves, Histria, Tomis, Callatis, Constantin Scarlat, Vasile Cosma.<\/em><br><em><strong>Keywords<\/strong>: Antiquity, amphorae, anchors, wrecks, Tomis, Callatis, Constantin Scarlat, Vasile Cosma.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>ADINA VELCESCU<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/11-Pontica-51-2018-ADINA-VELCESCU-\u2013-Synthese-sur-le-patrimoine-archeologique-subaquatique-en-Roumanie.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/11-Pontica-51-2018-ADINA-VELCESCU-\u2013-Synthese-sur-le-patrimoine-archeologique-subaquatique-en-Roumanie.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Piese din plumb apar\u0163in\u00e2nd unor ancore antice descoperite \u00een Marea Neagr\u0103<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Marea Neagr\u0103, antic, ancor\u0103, plumb, ambarca\u021biune.<\/em><br><em><strong>Keywords<\/strong>: Black Sea, ancient, anchor, lead, ship.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>CLAUDIU MUNTEANU<\/strong><\/strong><br><strong><strong>ANDREEA ATANASIU-CROITORU<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/12-Pontica-51-2018-CLAUDIU-MUNTEANU-ANDREEA-ATANASIU-CROITORU-\u2013-Piese-din-plumb-apartinand-unor-ancore-antice-descoperite-in-Marea-Neagra.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/12-Pontica-51-2018-CLAUDIU-MUNTEANU-ANDREEA-ATANASIU-CROITORU-\u2013-Piese-din-plumb-apartinand-unor-ancore-antice-descoperite-in-Marea-Neagra.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Cercet\u0103ri arheologice la Poarta Mare a zidului de incint\u0103 al Tomisului din antichitatea t\u00e2rzie (2015 \u2013 2016)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Tomis, epoca romano-bizantin\u0103, fortifica\u0163ii.<\/em><br><em><strong>Keywords<\/strong>: Tomis, Roman-Byzantine Age, fortifications.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>OCTAVIAN MITROI<\/strong><\/strong><br><strong><strong>LIVIU LUNGU<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/13-Pontica-51-2018-OCTAVIAN-MITROI-LIVIU-LUNGU-\u2013-Cercetari-arheologice-la-Poarta-Mare-a-zidului-de-incinta-al-Tomisului-din-antichitatea-tarzie-2015-\u2013-2016.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/13-Pontica-51-2018-OCTAVIAN-MITROI-LIVIU-LUNGU-\u2013-Cercetari-arheologice-la-Poarta-Mare-a-zidului-de-incinta-al-Tomisului-din-antichitatea-tarzie-2015-\u2013-2016.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Basilica extra muros de la Tropaeum Traiani, sectorul \u201ePoarta de vest\u201d<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Tropaeum Traiani, basilic\u0103, etape de construc\u021bie.<\/em><br><em><strong>Keywords<\/strong>: Tropaeum Traiani, basilica, stages of construction.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>GHIORGHE PAPUC<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/14-Pontica-51-2018-GHIORGHE-PAPUC-\u2013-Basilica-extra-muros-de-la-Tropaeum-Traiani-sectorul-\u201ePoarta-de-vest.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/14-Pontica-51-2018-GHIORGHE-PAPUC-\u2013-Basilica-extra-muros-de-la-Tropaeum-Traiani-sectorul-\u201ePoarta-de-vest.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Where was the camp of milites IIII Constantiani (Notitia Dignitatum, V, 86-87) in Durostorum (Silistra)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Durostorum, Legio XI Claudia, canabae, fortifica\u0163ie, castellum,monede.<\/em><br><em><strong>Mots-cl\u00e9s: <\/strong>Durostorum, Legio XI Claudia, canabae, fortification, castellum, monnaies.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>GEORGI ATANASOV<\/strong><\/strong><br><strong><strong>SVETLANA GANCHEVA<\/strong><br><\/strong>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/15-Pontica-51-2018-GEORGI-ATANASOV-SVETLANA-GANCHEVA-\u2013-Where-was-the-camp-of-milites-IIII-Constantiani-Notitia-Dignitatum-V-86-87-in-Durostorum-Silistra.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/15-Pontica-51-2018-GEORGI-ATANASOV-SVETLANA-GANCHEVA-\u2013-Where-was-the-camp-of-milites-IIII-Constantiani-Notitia-Dignitatum-V-86-87-in-Durostorum-Silistra.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Ceramic Kilns in the Late Antique Town on Sveti Atanas Cape (Modern Day Byala, Bulgaria)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: cuptoare ceramice, ora\u015f antic t\u00e2rziu, Byala, coasta M\u0103rii Negre, Bulgaria.<\/em><br><em><strong>Keywords<\/strong>: ceramic kilns, Late Antique town, Byala, Black Sea coast, Bulgaria<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>VALERI YOTOV<\/strong><\/strong><br><strong><strong>ALEXANDER HARIZANOV<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/16-Pontica-51-2018-VALERI-YOTOV-ALEXANDER-HARIZANOV-\u2013-Ceramic-Kilns-in-the-Late-Antique-Town-on-Sveti-Atanas-Cape-Modern-Day-Byala-Bulgaria.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/16-Pontica-51-2018-VALERI-YOTOV-ALEXANDER-HARIZANOV-\u2013-Ceramic-Kilns-in-the-Late-Antique-Town-on-Sveti-Atanas-Cape-Modern-Day-Byala-Bulgaria.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Pottery Production in the Late Antique Port Town at Cape Sveti Atanas near Byala, Region of Varna \u2013 Bulgaria<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Bulgaria, coasta M\u0103rii Negre, Byala, ora\u0219 antic t\u00e2rziu, produc\u021bia deceramic\u0103, cuptoare, ceramic\u0103 de uz casnic, opai\u021be, matri\u021be.<\/em><br><em><strong>Keywords<\/strong>: Bulgaria, Black Sea coast, Byala, Late Antique town, ceramicproduction, kilns, household pottery, lamps, molds.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>ALEXANDER MINCHEV<\/strong><br><strong>VALERI YOTOV<br><\/strong>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/17-Pontica-51-2018-ALEXANDER-MINCHEV-VALERI-YOTOV-\u2013-Pottery-Production-in-the-Late-Antique-Port-Town-at-Cape-Sveti-Atanas-near-Byala-Region-of-Varna-\u2013-Bulgaria.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/17-Pontica-51-2018-ALEXANDER-MINCHEV-VALERI-YOTOV-\u2013-Pottery-Production-in-the-Late-Antique-Port-Town-at-Cape-Sveti-Atanas-near-Byala-Region-of-Varna-\u2013-Bulgaria.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>The Potsherds in Archaeological Context &#8211; the Common Pottery from Late Roman Fort of Ulmetum (4th \u2013 6th Century AD)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: ceramic\u0103, stratigrafie, poart\u0103, cercet\u0103ri arheologice.<\/em><br><em><strong>Keywords<\/strong>: pottery, stratigraphy, gate, archaeological excavations.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>\u0218TEFAN EMILIAN GAMUREAC<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/18-Pontica-51-2018-STEFAN-EMILIAN-GAMUREAC-\u2013-The-Potsherds-in-Archaeological-Context-the-Common-Pottery-from-Late-Roman-Fort-of-Ulmetum-4th-\u2013-6th-Century-AD.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/18-Pontica-51-2018-STEFAN-EMILIAN-GAMUREAC-\u2013-The-Potsherds-in-Archaeological-Context-the-Common-Pottery-from-Late-Roman-Fort-of-Ulmetum-4th-\u2013-6th-Century-AD.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Poarta de nord a cet\u0103\u0163ii romano-bizantine Carsium<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Carsium, H\u00e2r\u0219ova, poarta de nord, vadul Dun\u0103rii, turn form\u0103 de U,turnul T1, invazie vizigot\u0103.<\/em><br><em><strong>Keywords<\/strong>: Carsium, H\u00e2r\u0219ova, North Gate, the Danube ford, U shaped towers,tower T1, Visigoth invasion.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>CONSTANTIN NICOLAE<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/19-Pontica-51-2018-CONSTANTIN-NICOLAE-\u2013-Poarta-de-nord-a-cetatii-romano-bizantine-Carsium.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/19-Pontica-51-2018-CONSTANTIN-NICOLAE-\u2013-Poarta-de-nord-a-cetatii-romano-bizantine-Carsium.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Ornamente de centur\u0103 descoperite la Oltina \u2013 \u201eCapul Dealului\u201d<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: ornamente de centur\u0103, aplice, capete de curea, Evul Mediutimpuriu, Dobrogea.<\/em><br><em><strong>Keywords<\/strong>: belt ornaments, apliques, strap ends, Early Middle Ages, Dobrudja.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>CRISTINA-PARASCHIV TALMA\u021aCHI<\/strong><\/strong><br><strong><strong>GABRIEL CUSTUREA<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/20-Pontica-51-2018-CRISTINA-PARASCHIV-TALMATCHI-GABRIEL-CUSTUREA-\u2013-Ornamente-de-centura-descoperite-la-Oltina-\u2013-\u201eCapul-Dealului.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/20-Pontica-51-2018-CRISTINA-PARASCHIV-TALMATCHI-GABRIEL-CUSTUREA-\u2013-Ornamente-de-centura-descoperite-la-Oltina-\u2013-\u201eCapul-Dealului.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Lead Models of 10th century Strap Ends Appliques from a Metalwork Centers near Preslav<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: modele din plumb, aplice cap\u0103t de curea, metalurgie, produc\u021bia pieselor turnate.<\/em><br><em><strong>Keywords<\/strong>: lead models, strap end appliques, metalwork, production of bronze castings.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>STELLA DONCHEVA<\/strong><\/strong><br><strong><strong>IVAJLO BUNZELOV<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/21-Pontica-51-2018-STELLA-DONCHEVA-IVAJLO-BUNZELOV-\u2013-Lead-Models-of-10th-century-Strap-Ends-Appliques-from-a-Metalwork-Centers-near-Preslav.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/21-Pontica-51-2018-STELLA-DONCHEVA-IVAJLO-BUNZELOV-\u2013-Lead-Models-of-10th-century-Strap-Ends-Appliques-from-a-Metalwork-Centers-near-Preslav.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Notes \u00e9pigraphiques (VIII)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: inscrip\u0163ii grece\u015fti, Istros (Histria), Conacu, inscrip\u0163ii funerare,dedica\u0163ii imperiale, Dionysos Karpophoros.<\/em><br><em><strong>Keywords<\/strong>: Greek inscriptions, Istros (Histria), Conacu, funerary inscriptions,imperial dedications, Dionysos Carpophorus.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>ALEXANDRU AVRAM<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/22-Pontica-51-2018-ALEXANDRU-AVRAM-\u2013-Notes-epigraphiques-VIII.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/22-Pontica-51-2018-ALEXANDRU-AVRAM-\u2013-Notes-epigraphiques-VIII.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Decuriones conscriptive<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: lex municipii Troesmensis, decuriones conscriptive, vicusTroesmensis, canabae legionis V Macedonicae.<\/em><br><em><strong>Mots-cl\u00e9s<\/strong>: lex municipii Troesmensis, decuriones conscriptive, vicus Troesmensis,canabae legionis V Macedonicae.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>CONSTANTIN C. PETOLESCU<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/23-Pontica-51-2018-CONSTANTIN-C.-PETOLESCU-\u2013-Decuriones-conscriptive.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/23-Pontica-51-2018-CONSTANTIN-C.-PETOLESCU-\u2013-Decuriones-conscriptive.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Cuneus Equitum II Stablesianorum la Sucidava (Moesia Secunda)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: inscrip\u021bie funerar\u0103, protector domesticus, cuneus eq(itum) IIstabl(esianorum), Sucidava, fatum, Fl(avius) Mellites.<\/em><br><em><strong>Mots-cl\u00e9s<\/strong>: inscription fun\u00e9raire, protector domesticus, cuneus eq(itum) IIstabl(esianorum), Sucidava, fatum, Fl(avius) Mellites.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>MARIA B\u0102RBULESCU<\/strong><\/strong><br><strong><strong>ALEXANDRU BARNEA<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/24-Pontica-51-2018-MARIA-BARBULESCU-ALEXANDRU-BARNEA-\u2013-Cuneus-Equitum-II-Stablesianorum-la-Sucidava-Moesia-Secunda.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/24-Pontica-51-2018-MARIA-BARBULESCU-ALEXANDRU-BARNEA-\u2013-Cuneus-Equitum-II-Stablesianorum-la-Sucidava-Moesia-Secunda.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Roman Portrait Grave Steles from Nicomedia and Bithynia (Northwestern Turkey)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: stele funerare cu portrete, bust, sculptur\u0103 funerar\u0103, perioad\u0103imperial\u0103 roman\u0103, Nicomedia, Izmit-Kocaeli, Bithynia, nord-vestul Asiei Mici, nordvestul Turciei.<\/em><br><em><strong>Keywords<\/strong>: Portrait grave steles, portrait bust, funerary sculpture, Roman imperialperiod, Nicomedia, Izmit-Kocaeli, Bithynia, north-western Asia Minor, north-westernTurkey.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>ERG\u00dcN LAFLI<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/25-Pontica-51-2018-ERGUN-LAFLI-\u2013-Roman-Portrait-Grave-Steles-from-Nicomedia-and-Bithynia-Northwestern-Turkey.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/25-Pontica-51-2018-ERGUN-LAFLI-\u2013-Roman-Portrait-Grave-Steles-from-Nicomedia-and-Bithynia-Northwestern-Turkey.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Tomos, le h\u00e9ros fondateur de Tomis<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: eroul Tomos, Tomis, epigrame, heroon, monede.<\/em><br><em><strong>Keywords<\/strong>: hero Tomos, Tomis, epigrams, heroon, coins.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>ALEXANDRU AVRAM<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/26-Pontica-51-2018-ALEXANDRU-AVRAM-\u2013-Tomos-le-heros-fondateur-de-Tomis.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/26-Pontica-51-2018-ALEXANDRU-AVRAM-\u2013-Tomos-le-heros-fondateur-de-Tomis.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Poetry as Historical Argument &#8211; Ovid in Cantemir<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Dimitrie Cantemir, Ovidius, istorie, poezie, Dacia.<\/em><br><em><strong>Keywords<\/strong>: Dimitrie Cantemir, Ovid, history, poetry, Dacia.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>IOANA COSTA<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/27-Pontica-51-2018-IOANA-COSTA-\u2013-Poetry-as-Historical-Argument-Ovid-in-Cantemir.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/27-Pontica-51-2018-IOANA-COSTA-\u2013-Poetry-as-Historical-Argument-Ovid-in-Cantemir.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Mitologie \u015fi autobiografie \u00een poezia lui Ovidius<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: moralitate, Tristia, Augustus, mitologie, libertate.<\/em><br><em><strong>Keywords<\/strong>: morality, Tristia, Augustus, mythology, freedom.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>FLORENTINA NICOLAE<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/28-Pontica-51-2018-FLORENTINA-NICOLAE-\u2013-Mitologie-si-autobiografie-in-poezia-lui-Ovidius.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/28-Pontica-51-2018-FLORENTINA-NICOLAE-\u2013-Mitologie-si-autobiografie-in-poezia-lui-Ovidius.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Qu\u2019y avait-il avant les M\u00e9tamorphoses d\u2019Ovide. Le t\u00e9moignage d\u2019Antoninus Liberalis sur les pr\u00e9curseurs grecs<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Antoninus Liberalis, metamorfoze, Nicandru, Boios, Parthenios, papirus.<\/em><br><em><strong>Keywords<\/strong>: Antoninus Liberalis, metamorphoses, Nicander, Boios, Parthenios, papyri.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>ALEXANDRA TRACHSEL<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/29-Pontica-51-2018-ALEXANDRA-TRACHSEL-\u2013-Quy-avait-il-avant-les-Metamorphoses-dOvide.-Le-temoignage-dAntoninus-Liberalis-sur-les-precurseurs-grecs.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/29-Pontica-51-2018-ALEXANDRA-TRACHSEL-\u2013-Quy-avait-il-avant-les-Metamorphoses-dOvide.-Le-temoignage-dAntoninus-Liberalis-sur-les-precurseurs-grecs.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Indigenizarea \u201eceluilalt\u201d \u2013 cazul romaniz\u0103rii lui Asclepios la Ovidiu<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Asclepios, trup, incuba\u021bie, \u0219arpe, statuie.<\/em><br><em><strong>Keywords<\/strong>: Asclepios, body, incubation, serpent, statue<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>C\u0102T\u0102LINA POPESCU<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/30-Pontica-51-2018-CATALINA-POPESCU-\u2013-Indigenizarea-\u201eceluilalt-\u2013-cazul-romanizarii-lui-Asclepios-la-Ovidiu.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/30-Pontica-51-2018-CATALINA-POPESCU-\u2013-Indigenizarea-\u201eceluilalt-\u2013-cazul-romanizarii-lui-Asclepios-la-Ovidiu.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>La fonction de la r\u00e9p\u00e9tition dans la po\u00e9sie ovidienne de l\u2019exil<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte-cheie<\/strong>: Ovidiu, elegiile din exil, figuri de stil (repeti\u021bia), rima interioar\u0103,simbolism fonetic.<\/em><br><em><strong>Mots-cl\u00e9s<\/strong>: Ovide, \u00e9l\u00e9gies de l\u2019exil, figures de r\u00e9p\u00e9tition, rime int\u00e9rieure, symbolismephon\u00e9tique.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>CRISTINA POPESCU<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/31-Pontica-51-2018-CRISTINA-POPESCU-\u2013-La-fonction-de-la-repetition-dans-la-poesie-ovidienne-de-lexil.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/31-Pontica-51-2018-CRISTINA-POPESCU-\u2013-La-fonction-de-la-repetition-dans-la-poesie-ovidienne-de-lexil.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Un appello forse fatale &#8211; l\u2019ultima lettera prima di morire (Ovidio, Pont. 4. 16)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte-cheie<\/strong>: Ovidio, cercul lui Germanicus, catalog de poe\u021bi din epoca augustan\u0103.<\/em><br><em><strong>Parole chiave<\/strong>: Ovidio, il Circolo di Germanico, catalogo di poeti di epoca augustea.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>NICOLETTA FRANCESCA BERRINO<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/32-Pontica-51-2018-NICOLETTA-FRANCESCA-BERRINO-\u2013-Un-appello-forse-fatale-lultima-lettera-prima-di-morire-Ovidio-Pont.-4.-16.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/32-Pontica-51-2018-NICOLETTA-FRANCESCA-BERRINO-\u2013-Un-appello-forse-fatale-lultima-lettera-prima-di-morire-Ovidio-Pont.-4.-16.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>A Unique Bronze Coin of an Unknown Ruler of the Celtic Kingdom in Thrace<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte-cheie<\/strong>: moned\u0103 din bronz unicat, conduc\u0103tor celtic, regat celtic, Thracia,prima capital\u0103 a regatului celtic al Traciei.<\/em><br><em><strong>Keywords<\/strong>: unique bronze coin, Celtic ruler, Celtic kingdom, Thrace, the first capitalof the Celtic kingdom in Thrace.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>METODI MANOV<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/33-Pontica-51-2018-METODI-MANOV-\u2013-A-Unique-Bronze-Coin-of-an-Unknown-Ruler-of-the-Celtic-Kingdom-in-Thrace.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/33-Pontica-51-2018-METODI-MANOV-\u2013-A-Unique-Bronze-Coin-of-an-Unknown-Ruler-of-the-Celtic-Kingdom-in-Thrace.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Despre un depozit monetar odessitan de perioad\u0103 preroman\u0103<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: monede, Odessos, perioad\u0103 preroman\u0103, sec. III-II a. Chr., Dobrogea.<\/em><br><em><strong>Keywords<\/strong>: coins, Odessos, Pre-Roman period, 3rd-2nd century BC., Dobrudja.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>GABRIEL TALMA\u021aCHI<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/34-Pontica-51-2018-GABRIEL-TALMATCHI-\u2013-Despre-un-depozit-monetar-odessitan-de-perioada-preromana.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/34-Pontica-51-2018-GABRIEL-TALMATCHI-\u2013-Despre-un-depozit-monetar-odessitan-de-perioada-preromana.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>A unique lead tessera from Dobrogea<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte-cheie<\/strong>: tessera, Dioscuri, Callatis, Iulius Celer, \u1f00\u03c1\u03c7\u03ae.<br><strong>Keywords<\/strong>: tessera, Dioscuri, Callatis, Iulius Celer, \u1f00\u03c1\u03c7\u03ae.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>STELU\u021aA MARIN<\/strong><br><strong>VIRGIL IONI\u021a\u0102<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/35-Pontica-51-2018-STELUTA-MARIN-VIRGIL-IONITA-\u2013-A-unique-lead-tessera-from-Dobrogea.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/35-Pontica-51-2018-STELUTA-MARIN-VIRGIL-IONITA-\u2013-A-unique-lead-tessera-from-Dobrogea.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Un grup monetar din vremea lui Constantius II (337-361) descoperit \u00een zona suburban\u0103 a Tomisului<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte-cheie<\/strong>: Constan\u021ba, grup monetar, Constantius II, context arheologic.<\/em><br><em><strong>Keywords<\/strong>: Constan\u021ba, monetary group, Constantius II, archaeological context<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>DAN VASILESCU<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/36-Pontica-51-2018-DAN-VASILESCU-\u2013-Un-grup-monetar-din-vremea-lui-Constantius-II-337-361-descoperit-in-zona-suburbana-a-Tomisului.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/36-Pontica-51-2018-DAN-VASILESCU-\u2013-Un-grup-monetar-din-vremea-lui-Constantius-II-337-361-descoperit-in-zona-suburbana-a-Tomisului.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>Un posibil depozit monetar bizantin descoperit pe coasta de vest a M\u0103rii Negre (sec. VI-VII)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte-cheie<\/strong>: tezaur monetar bizantin, monede bizantine, Marea Neagr\u0103.<\/em><br><em><strong>Keywords<\/strong>: Treasury of the Byzantine coinage, byzantine coins, Black Sea.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>GABRIEL CUSTUREA<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/37-Pontica-51-2018-GABRIEL-CUSTUREA-\u2013-Un-posibil-depozit-monetar-bizantin-descoperit-pe-coasta-de-vest-a-Marii-Negre-sec.-VI-VII.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/37-Pontica-51-2018-GABRIEL-CUSTUREA-\u2013-Un-posibil-depozit-monetar-bizantin-descoperit-pe-coasta-de-vest-a-Marii-Negre-sec.-VI-VII.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Recenzie &#8211; Nelu Zugravu &#8211; Ammianus Marcellinus \u015fi cultura violen\u0163ei \u00een secolul al IV-lea<\/summary>\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Claudia T\u0102RN\u0102UCEANU<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/38-Pontica-51-2018-Claudia-TARNAUCEANU-Recenzie-Nelu-Zugravu-Ammianus-Marcellinus-si-cultura-violentei-in-secolul-al-IV-lea.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/38-Pontica-51-2018-Claudia-TARNAUCEANU-Recenzie-Nelu-Zugravu-Ammianus-Marcellinus-si-cultura-violentei-in-secolul-al-IV-lea.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Recenzie &#8211; Marilena Casella, Galerio. Il tetrarca infine tollerante, \u00abL\u2019Erma\u00bb di Bretschneider<\/summary>\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Nelu ZUGRAVU<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/39-Pontica-51-2018-Nelu-ZUGRAVU-Recenzie-Marilena-Casella-Galerio.-Il-tetrarca-infine-tollerante-LErma-di-Bretschneider.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/39-Pontica-51-2018-Nelu-ZUGRAVU-Recenzie-Marilena-Casella-Galerio.-Il-tetrarca-infine-tollerante-LErma-di-Bretschneider.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>The Fate of Rome. Climate, Disease, and the End of an Empire<\/summary>\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Alexandru BALTAG<\/strong><br><strong>KYLE HARPER<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/40-Pontica-51-2018-Alexandru-BALTAG-KYLE-HARPER-The-Fate-of-Rome.-Climate-Disease-and-the-End-of-an-Empire.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/40-Pontica-51-2018-Alexandru-BALTAG-KYLE-HARPER-The-Fate-of-Rome.-Climate-Disease-and-the-End-of-an-Empire.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Homer and the Good Ruler in Antiquity and Beyond<\/summary>\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>George IVA\u0218CU<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/41-Pontica-51-2018-George-IVASCU-Homer-and-the-Good-Ruler-in-Antiquity-and-Beyond.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/41-Pontica-51-2018-George-IVASCU-Homer-and-the-Good-Ruler-in-Antiquity-and-Beyond.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>In memoriam &#8211; \u015eerban Papacostea<\/summary>\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Florin ANGHEL<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/42-Pontica-51-2018-Florin-ANGHEL-In-memoriam-Serban-Papacostea.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/42-Pontica-51-2018-Florin-ANGHEL-In-memoriam-Serban-Papacostea.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>C\u0103r\u0163i str\u0103ine \u015fi rom\u00e2ne\u015fti intrate \u00een biblioteca MINAC \u00een 2017<\/summary>\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Andreea ANDREI<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/43-Pontica-51-2018-Andreea-ANDREI-Carti-straine-si-romanesti-intrate-in-biblioteca-MINAC-in-2017.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/43-Pontica-51-2018-Andreea-ANDREI-Carti-straine-si-romanesti-intrate-in-biblioteca-MINAC-in-2017.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>List of abbreviations<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/44-Pontica-51-2018-Lista-abrevierilor.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/44-Pontica-51-2018-Lista-abrevierilor.pdf\">Open PDF version<\/a>&#8211;<\/p>","protected":false},"excerpt":{"rendered":"<p>SUMAR&#8211;deschide varianta PDF&#8211; LAURENTIU RADU&#8211;deschide varianta PDF&#8211; NELU ZUGRAVU&#8211;deschide varianta PDF&#8211; IOAN CAROL OPRI\u0218&#8211;deschide varianta PDF&#8211; IONU\u021a HOLUBEANU&#8211;deschide varianta PDF&#8211; MARTIN HUS\u00c1R&#8211;deschide varianta PDF&#8211; VANYA STAVREVA&#8211;deschide varianta PDF&#8211; HRISTINA VASILEVA&#8211;deschide varianta PDF&#8211; BARTLOMIEJ SZMONIEWSKI&#8211;deschide varianta PDF&#8211; ADINA VELCESCU&#8211;deschide varianta PDF&#8211; CLAUDIU MUNTEANUANDREEA ATANASIU-CROITORU&#8211;deschide varianta PDF&#8211; OCTAVIAN MITROILIVIU LUNGU&#8211;deschide varianta PDF&#8211; GHIORGHE PAPUC&#8211;deschide varianta PDF&#8211; GEORGI [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[],"class_list":["post-1136","post","type-post","status-publish","format-standard","hentry","category-revista"],"_links":{"self":[{"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/posts\/1136","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/comments?post=1136"}],"version-history":[{"count":7,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/posts\/1136\/revisions"}],"predecessor-version":[{"id":3318,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/posts\/1136\/revisions\/3318"}],"wp:attachment":[{"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/media?parent=1136"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/categories?post=1136"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/tags?post=1136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}