{"id":429,"date":"2026-04-26T15:56:40","date_gmt":"2026-04-26T12:56:40","guid":{"rendered":"https:\/\/revistapontica.com\/?p=429"},"modified":"2026-05-04T13:37:25","modified_gmt":"2026-05-04T10:37:25","slug":"pontica-nr-57-2024","status":"publish","type":"post","link":"https:\/\/revistapontica.com\/en\/pontica-nr-57-2024\/","title":{"rendered":"Pontica No. 57 (2024)"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img fetchpriority=\"high\" decoding=\"async\" width=\"443\" height=\"629\" src=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/Pontica-57.png\" alt=\"\" class=\"wp-image-929\" srcset=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/Pontica-57.png 443w, https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/Pontica-57-211x300.png 211w\" sizes=\"(max-width: 443px) 100vw, 443px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-fe48e5de wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-small-font-size has-custom-font-size wp-element-button\" href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/PONTICA-57-2024-web.pdf\" style=\"border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-left-radius:0px;border-bottom-right-radius:0px\"><strong>DESCHIDE PONTICA NR. 57 &#8211; VARIANTA COMPLET\u0102 \u00ceN FORMAT .PDF<\/strong> (62 Mb)<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>SUMMARY<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-28-sumar.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-28-sumar.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>CULTURAL AND CHRONOLOGICAL CHARACTERISTICS OF THE PREHISTORIC SITE BELOGRADETS, NORTHEASTERN BULGARIA<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte\u2011cheie<\/strong>: neoliticul t\u00e2rziu, chalcolithicul timpuriu, faza de tranzi\u0163ie de la neo\u2011liticul t\u00e2rziu la eneoliticul timpuriu, nord\u2011estul Bulgariei, cultura Sava, cultura Poliani\u0163a.<br><strong>Keywords<\/strong>: Late Neolithic, Early Chalcolithic, the transition phase from the LateNeolithic to the Early Eneolithic, North\u2011eastern Bulgaria, Sava culture, Polyanitsa Culture.<\/em><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Viktoria D. PETROVA<br>Evgenia NAYDENOVA<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-1.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-1.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>CULTUL CHARITELOR LA CYZIC<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>\u2011<strong>cheie<\/strong>: cult, Charite, Cyzic, sanctuar, portic.<br><strong>Keywords<\/strong>: cult, Charites, Cyzic, sanctuary, portico<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Remus Mihai FERARU<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-2.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-2.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>SOME THEORETICAL REFLECTIONS REGARDING THE PRODUCTION AND CONSUMPTION OF TABLEWARE IN THE LOWER DANUBE AND WEST\u2011PONTIC REGION<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>\u2011<strong>cheie<\/strong>: spa\u0163iul vest\u2011pontic, Dun\u0103rea de Jos, ceramic\u0103 de mas\u0103, cronologie, influen\u0163e culturale.<br><strong>Keywords<\/strong>: West\u2011Pontic area, the Lower Danube, tableware, chronology, cultural influences.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Marian MOCANU<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-3.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-3.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>MITROPOLITUL PETRU DE TOMIS (CCA. 480\u2013498)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte\u2011cheie<\/strong>: provincia roman\u0103 Scythia, Petru de Tomis, Dionisie Exiguus,Paternus de Tomis, c\u0103lug\u0103rii sci\u0163i.<br><strong>Keywords<\/strong>: Roman Scythia, Peter of Tomi, Dionysius Exiguus, Paternus of Tomi, theScythian monks<\/em><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Ionu\u0163 HOLUBEANU<br><\/strong>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-4.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-4.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>L\u2019\u00c9GLISE ROUGE DE PEROUCHTITSA\u2011LE MARTYRIUM DES SAINTS TH\u00c9ODOTE, ASCL\u00c9PIODOTE ET MAXIME DE MARCIANOPOLIS (MOESIA SECUNDA)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Keywords<\/strong>: L\u2019\u00c9glise rouge, P\u00e9rouchtitsa, martyrium, t\u00e9traconque, Marcianopolis, Saints Th\u00e9odote, Ascl\u00e9piodote et Maxime, T\u00e9r\u00e8s, Saltis.<br><strong>Cuvinte cheie<\/strong>: Basilica ro\u015fie, Perustitsa, martyrium, tetracon, Marcianopolis, Sf\u00e2ntul Teodotus, Asklepiodotus \u015fi Maximus, Theres, Saltis.<\/em><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Georgi ATANASOV<br><\/strong>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-5.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-5.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>CLAY MODELS OF CHAIRS FROM TELL KOZAREVA MOGILA<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte\u2011cheie:<\/strong> scaune miniaturale, eneoliticul t\u00e2rziu, Kozareva mogila, scen\u0103 de cult.<br><strong>Keywords<\/strong>: models of chair, Late Chalcolithic, Kozareva mogila, cult scene.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Veselin DANOV<br><\/strong>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-6.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-6.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>SIGILATE ORIENTALE \u0218I PONTICE DESCOPERITE \u00ceNTR\u2011O A\u0218EZARE RURAL\u0102 DIN TERITORIUL TOMISULUI<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>\u2011<strong>cheie<\/strong>: Eastern Sigillata C, Sigillata Pontica, a\u015fezare rural\u0103, Tomis.<br><strong>Keywords<\/strong>: Eastern Sigillata C, Sigillata Pontica, Rural Settlement, Tomis.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Manuela M\u0102I\u021a\u0102<br><\/strong>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-7.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-7.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>DESPRE RITUALURI, JUC\u0102RII \u0218I COPII \u00ceN LUMEA ANTIC\u0102. C\u00c2TEVA CONSIDERA\u021aII CU PRIVIRE LA UN TIP PARTICULAR DE JUC\u0102RIE DIN TERACOT\u0102 CU REPREZENTAREA COPILULUI DIVIN, DESCOPERIT\u0102 \u00ceN NECROPOLA DE LA TOMIS<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>\u2011<strong>cheie<\/strong>: teracot\u0103, Eros\/Cupido, Cucullatus, juc\u0103rie, coco\u015f, strugure, Tomis, secolele II\u2013III<br><strong>Keywords<\/strong>: terracotta, Eros\/Cupid, Cucullatus, toy, rooster, grape, Tomis, 2nd\u20133rd centuries AD<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>\u0218tefan GEORGESCU<\/strong><br><strong>Ana Cristina HAMAT<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-8.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-8.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>SIX FIGURAL GEMS FROM TRAPEZUS IN NORTH\u2011EASTERN TURKEY<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>\u2011<strong>cheie<\/strong>: pietre pre\u0163ioase figurative, intaglio, perioada roman\u0103, glipticegreco\u2011romane, Trapez, Trabzon, nord\u2011estul Turciei, bijuterii, geme falsificate.<br><strong>Keywords<\/strong>: figural gems, intaglio, Roman period, Graeco\u2011Roman glyptics, Trapezus, Trabzon, north\u2011eastern Turkey, jewellery, forged gems.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Erg\u00fcn LAFLI<\/strong><br><strong>Martin HENIG<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-9.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-9.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>EVERYDAY ASPECTS OF LIFE IN LATE ROMAN A9 EDIFICE IN THE CITY OF TROPAEUM TRAIANI. AN ADDENDUM<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>\u2011<strong>cheie<\/strong>: unelte, r\u0103zboi de \u0163esut vertical, fusaiole, accesorii vestimentare, obiectedomestice.<\/em><br><em><strong>Keywords<\/strong>: tools, vertical loom, spindle whorls, clothing accessories ornaments, domestic artifacts.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Filica DR\u0102GHICI<\/strong><br><strong>Mihai Severus IONESCU<\/strong><br><strong>\u0218tefan\u2011Emilian GAMUREAC<br><\/strong>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-10.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-10.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>C\u00c9RAMIQUE \u00c0 GLA\u00c7URE DU HAUT MOYEN \u00c2GE (X E\u2013XI E SI\u00c8CLES) DU NORD\u2011OUEST DE LA BULGARIE<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>\u2011<strong>cheie<\/strong>: ceramic\u0103 medieval\u0103, ceramic\u0103 smal\u0163uit\u0103, Dobrogea, a\u015fezare medie\u2011val\u0103, nord\u2011vestul Bulgariei.<br><strong>Keywords<\/strong>: medieval pottery, glazed pottery, Dobruja, medieval settlement, Northwestern Bulgaria<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Maria CHRISTOVA\u2011PENKOVA<\/strong><br><strong>Aleksandra PETROVA<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-11.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-11.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>NECROPOLELE DE LA CARANSEBE\u0218\u2011STRADA ROMANILOR. PRIMELE CERCET\u0102RI ARHEOLOGICE<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: morm\u00e2nt, zid, moned\u0103, inel, cuie, nasture, br\u0103\u0163ar\u0103, biseric\u0103.<br><strong>Keywords<\/strong>: grave, wall, coin, ring, nail, button, bracelet, church.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Silviu O\u021aA<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-12.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-12.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>NOTES ON GREEK INSCRIPTIONS (V)<\/summary>\n<p class=\"wp-block-paragraph\"><strong>Cuvinte<\/strong>\u2011<strong>cheie<\/strong>: inscrip\u0163ii grece\u015fti, Pantikapaion, Istros, decrete onorifice, Leukon I,Aristagoras fiul lui Apatourios.<br><strong>Keywords<\/strong>: Greek inscriptions, Pantikapaion, Istros, honorific decrees, Leukon I,Aristagoras son of Apatourios<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Drago\u015f H\u0102LMAGI<br><\/strong>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-13.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-13.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>UN CONTEXT CU SEMNE MONETARE \u015eI V\u00c2RFURI DE S\u0102GE\u0162I DIN TEMPLUL AFRODITEI DE LA HISTRIA<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>\u2011<strong>cheie<\/strong>: semne monetare, v\u00e2rfuri de s\u0103ge\u0163i, depozit de fondare, templu, Histria,epoca arhaic\u0103.<\/em><br><em><strong>Keywords<\/strong>: monetary signs, arrowheads, foundation deposit, temple, Histria, archaicperiod.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Florina PANAIT\u2011B\u00ceRZESCU<br><\/strong>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-14.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-14.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>THE PRESENCE OF THE TETRADRACHMS FROM THASOS IN THE ISTRO\u2011PONTIC TERRITORY<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>\u2011<strong>cheie<\/strong>: tetradrahme, Thasos, secolele II\u2013I a.Chr., Dobrogea.<br><strong>Keywords<\/strong>: tetradrachms, Thasos, 2nd\u20131st centuries BC, Dobruja.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Gabriel Mircea TALMA\u021aCHI<br><\/strong>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-15.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-15.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>MONEDE OTOMANE CONTRAMARCATE DIN COLEC\u021aIILE MUZEULUI DE ISTORIE NA\u021aIONAL\u0102 \u0218I ARHEOLOGIE CONSTAN\u021aA<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte cheie<\/strong>: Imperiul Otoman, monede contramarcate, Insula Lesbos.<\/em><br><em><strong>Keywords<\/strong>: Ottoman Empire, countermarked coins, Lesbos Island<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Gabriel CUSTUREA<br><\/strong>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-16.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-16.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>DIN NOU DESPRE FOLOSIREA TERIACULUI PE TERITORIULUI DOBROGEI \u00ceN SECOLELE XVII\u2013XVIII<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>\u2011<strong>cheie<\/strong>: teriac, flacon pentru teriac, capace de teriac.<br><strong>Mots<\/strong>\u2011<strong>cl\u00e9s<\/strong>: th\u00e9riaque, flacon de th\u00e9riaque, capsules de th\u00e9riaque<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Gabriel CUSTUREA<br><\/strong>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-17.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-17.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>ANALYSIS OF THE TRACES OF USE ON POLISHED STONE TOOLS FOR WOODCUTTING AND WOODWORKING FROM THREE ENEOLITHIC NECROPOLISES IN BULGARIA<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>\u2011<strong>cheie<\/strong>: eneolitic, necropole, practici funerare, unelte din piatr\u0103 \u015flefuit\u0103, t\u0103ie\u2011rea \u015fi prelucrarea lemnului, topoare, tesle, d\u0103l\u0163i, urme de utilizare.<\/em><br><em><strong>Keywords<\/strong>: Eneolithic Period, necropolises, funerary practices, polished stone tools,woodcutting and woodworking, axes, adzes, chisels, traces of use<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Radoslav RACHEV<br><\/strong>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-18.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-18.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>COPPER TOOLS FROM KOZAREVA MOGILA. NEW DATA ON THE PROVENANCEOF COPPER ORES USED<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>\u2011<strong>cheie<\/strong>: eneolitic, necropole, practici funerare, unelte din piatr\u0103 \u015flefuit\u0103, t\u0103ie\u2011rea \u015fi prelucrarea lemnului, topoare, tesle, d\u0103l\u0163i, urme de utilizare.<\/em><br><em><strong>Keywords<\/strong>: Eneolithic Period, necropolises, funerary practices, polished stone tools, woodcutting and woodworking, axes, adzes, chisels, traces of use<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Yordan MILEV<br><\/strong>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-19.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-19.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>ANIMAL EXPLOITATION IN BABADAG CULTURE. ARCHAEOZOOLOGICAL DATA FORTHE SITES OF GARV\u0102N\u2011ML\u0102JITUL FLORILOR AND JIJILA\u2011CET\u0102\u021aUIE (TULCEA COUNTY, ROMANIA)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>\u2011<strong>cheie<\/strong>: arheozoologie, cultura Babadag, Epoca Fierului, Dobrogea, resurse animale.<br><strong>Keywords<\/strong>: archaeozoology, Babadag culture, Iron Age, Dobruja, animal resources.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Eliza\u2011Ioana CRE\u0162U<\/strong><br><strong>Simina\u2011Margareta STANC<\/strong><br><strong>Sorin\u2011Cristian AILINC\u0102I<\/strong><br><strong>Lumini\u0163a BEJENARU<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-20.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-20.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>THE \u201cLAND\u2011SEA\u201d INTERACTION ALONG THE WESTERN BLACK SEA: GEOARCHAEOLOGICAL AND HISTORICAL\u2011GEOGRAPHICAL STUDY<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>\u2011<strong>cheie<\/strong>: porturi medievale, h\u0103r\u0163i nautice, geoarheologie.<br><strong>Keywords<\/strong>: medieval ports,nautical charts, geoarchaeology<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Preslav PEEV<\/strong><br><strong>Rosina KOSTOVA<\/strong><br><strong>Rumen YANKOV<\/strong><br><strong>Galin PETROV<\/strong><br><strong>Bogdan PRODANOV<br><\/strong>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-21.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-21.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">CALLATIS ORA\u0218 GRECESC \u00ceN \u021aINUTUL GE\u021aILOR<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Nicolaie ALEXANDRU<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-22.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-22.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Zbirka Rimskih Gema iz Arheolo\u0161kog Muzeja u Zagrebu\/ Collection of Roman Engraved Gems in the Archaeological Museum in Zagreb, Musei Archaeologici Zagrebiensis<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Iva KAIC<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-23.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-23.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">MANAGEMENTUL INTEGRAT AL PATRIMONIULUI CULTURAL MONDIAL \u00ceN ROM\u00c2NIA<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Andrea POPA<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-24.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-24.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Manuel de gestion du mobilier arch\u00e9ologique, M\u00e9thodologie et pratiques<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Silvia Pa\u00efn<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-25.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-25.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">VIRGIL MIH\u0102ILESCU\u2011B\u00ceRLIBA<br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-26.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-26.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">EUGEN NICOLAE<br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-27.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/pontica-57-27.pdf\">Open PDF version<\/a>&#8211;<\/p>","protected":false},"excerpt":{"rendered":"<p>SUMAR&#8211;deschide varianta PDF&#8211; Viktoria D. PETROVAEvgenia NAYDENOVA&#8211;deschide varianta PDF&#8211; Remus Mihai FERARU&#8211;deschide varianta PDF&#8211; Marian MOCANU&#8211;deschide varianta PDF&#8211; Ionu\u0163 HOLUBEANU&#8211;deschide varianta PDF&#8211; Georgi ATANASOV&#8211;deschide varianta PDF&#8211; Veselin DANOV&#8211;deschide varianta PDF&#8211; Manuela M\u0102I\u021a\u0102&#8211;deschide varianta PDF&#8211; \u0218tefan GEORGESCUAna Cristina HAMAT&#8211;deschide varianta PDF&#8211; Erg\u00fcn LAFLIMartin HENIG&#8211;deschide varianta PDF&#8211; Filica DR\u0102GHICIMihai Severus IONESCU\u0218tefan\u2011Emilian GAMUREAC&#8211;deschide varianta PDF&#8211; Maria CHRISTOVA\u2011PENKOVAAleksandra PETROVA&#8211;deschide [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18,410],"tags":[],"class_list":["post-429","post","type-post","status-publish","format-standard","hentry","category-revista","category-revista-new"],"_links":{"self":[{"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/posts\/429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/comments?post=429"}],"version-history":[{"count":45,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/posts\/429\/revisions"}],"predecessor-version":[{"id":3306,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/posts\/429\/revisions\/3306"}],"wp:attachment":[{"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/media?parent=429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/categories?post=429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/tags?post=429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}