{"id":537,"date":"2026-04-26T15:54:34","date_gmt":"2026-04-26T12:54:34","guid":{"rendered":"https:\/\/revistapontica.com\/?p=537"},"modified":"2026-05-04T14:00:12","modified_gmt":"2026-05-04T11:00:12","slug":"pontica-nr-56-2023","status":"publish","type":"post","link":"https:\/\/revistapontica.com\/en\/pontica-nr-56-2023\/","title":{"rendered":"Pontica No. 56 (2023)"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img fetchpriority=\"high\" decoding=\"async\" width=\"725\" height=\"1024\" src=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/Pontica-56-2023-1-725x1024.jpg\" alt=\"\" class=\"wp-image-965\" style=\"width:471px;height:auto\" srcset=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/Pontica-56-2023-1-725x1024.jpg 725w, https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/Pontica-56-2023-1-212x300.jpg 212w, https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/Pontica-56-2023-1-768x1085.jpg 768w, https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/Pontica-56-2023-1-1088x1536.jpg 1088w, https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/Pontica-56-2023-1-8x12.jpg 8w, https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/Pontica-56-2023-1.jpg 1133w\" sizes=\"(max-width: 725px) 100vw, 725px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-fe48e5de wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-small-font-size has-custom-font-size wp-element-button\" href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/PONTICA-56-2023-web.pdf\" style=\"border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-left-radius:0px;border-bottom-right-radius:0px\"><strong>DESCHIDE PONTICA NR. 56 &#8211; VARIANTA COMPLET\u0102 \u00ceN FORMAT .PDF<\/strong> (92 Mb)<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">SUMMARY<br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/SUMAR-PONTICA-56-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/SUMAR-PONTICA-56-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>CHRONOLOGY OF THE MIDDLE PALEOLITHIC IN THE CARPATHIAN AREA \u2013 PAST AND PRESENT<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Paleolitic mijlociu, 14 C, pe\u015fteri, Cheile V\u00e2rghi\u015f.<br><strong>Keywords<\/strong>: Middle Paleolithic, 14C, caves, Gorge V\u00e2rghi\u015f.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Marian COSAC<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/1-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/1-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>SAISONS, CALENDRIER ET VIE RELIGIEUSE DANS LES CIT\u00c9S GRECQUES DU PONT-EUXIN.UN REGARD PARTICULIER SUR LES COLONIES MIL\u00c9SIENS<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: anotimpuri, calendar, s\u0103rb\u0103tori, colonii milesiene, Pontul Euxin.<br><strong>Keywords<\/strong>: seasons, calendar, feasts, Milesian colonies, Pontos Euxeinos<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Mircea V. ANGELESCU<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/2-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/2-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>HISTRIA. NOUVELLES DONN\u00c9ES SUR LE TRAJET DU REMPART HELL\u00c9NISTIQUE DE L\u2019ACROPOLE<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Histria, zidul de ap\u0103rare elenistic al Acropolei, fragment arhitectonic,incint\u0103, funda\u0163ie, eleva\u0163ie, tehnica de construc\u0163ie.<br><strong>Keywords<\/strong>: Histria, the Hellenistic defensive wall of the Acropolis, architectural fragment, precinct, foundation, elevation, construction technique.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Marian COSAC<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/3-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/3-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>NEW ARCHAEOLOGICAL INVESTIGATIONS ON THE UPPER MOESIAN LIMES.\u0106ETA\u0106E-RADUJEVAC SITE, LOCATED IN THE ROMAN AQUAE REGION, AT THE CONFLUENCE OF THE TIMOK AND DANUBE RIVERS<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: limesul roman \u00een Serbia, a\u015fezarea de la \u0106eta\u0107e-Radujevac, fort roman,debutul cercet\u0103rilor arheologice.<br><strong>Keywords<\/strong>: Roman limes in Serbia, site of \u0106eta\u0107e-Radujevac, Roman fort, first archaeological investigations.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Vladimir P. PETROVI\u0106<\/strong><br><strong>Gordan JANJI\u0106<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/4-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/4-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>L\u2019EXCEPTION SCYTHE D\u2019APR\u00c8S SOZOM\u00c8NE ET LES EXCEPTIONS SCYTHES D\u2019APR\u00c8S L\u2019HISTOIRE ET L\u2019ARCH\u00c9OLOGIE PAL\u00c9OCHR\u00c9TIENNES<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Sozomenos, martiri, cript\u0103, synthronon, Tomis, Zaldapa, Scythia.<br><strong>Keywords<\/strong>: Sozom\u00e8ne, martyrs, crypte, martyrium, synthronon, Tomis, Zaldapa,Scythie.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Georgi ATANASOV<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/5-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/5-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>A UNIQUE FUNERARY ASSEMBLAGE FROMTHE LATE AVAR PERIOD. A RARE IRON TOOL AND THE ISSUE OF SALT EXTRACTION IN TRANSYLVANIAN IN THE EARLY MIDDLE AGES<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: arheologie avar\u0103, perioad\u0103 avar\u0103 t\u00e2rzie, unelte din fier ca inventarfunerar, distribu\u0163ia s\u0103rii, extragerea s\u0103rii, organizarea produc\u0163iei.<br><strong>Keywords<\/strong>: Avar archaeology, Late Avar period, iron tools as grave good, distributionof salt, salt mining, organisation of production.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Gergely SZENTHE<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/6-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/6-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>CHURCH No. 4 FROM THE MURFATLAR ROCK COMPLEX \u2013 SOME NEWLY DOCUMENTED GRAFFITI ALONG THE EAST-WESTAXIS AND THEIR ANALOGIES<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Pliska, Murfatlar, desene-graffiti, inscrip\u0163ii-graffiti.<br><strong>Keywords<\/strong>: Pliska, Murfatlar, graffiti-drawings, graffiti-inscriptions<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Evgenia KOMATAROVA-BALINOVA<br>Yavor MILTENOV<br>Antoaneta GRANBERG<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/7-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/1-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>A SETTLEMENT FROM THE LATE MIDDLE AGES NEAR VRASHKA CHUKA, VIDIN REGION, NORTHWEST BULGARIA<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: perioada roman\u0103, Evul Mediu t\u00e2rziu, a\u015fezare, obiecte de podoab\u0103,monede.<br><strong>Keywords<\/strong>: Roman period, Late Middle Ages, settlement, adornments, coins<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Elena VASILEVA<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/8-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/8-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>THE ANTHROPOMORPHIC PENDANTS. MARKER OF SOCIO-ECONOMIC CHANGES AND DISTURBANCES ON THE LATE ENEOLITHIC PERIOD<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: pandantive antropomorfe, schimb\u0103ri socio-economice, eneoliticul t\u00e2rziu, Kodjadermen-Gumelni\u0163a-Karanovo VI, Varna, Krivodol-S\u0103lcu\u0163a-Bubani.<br><strong>Keywords<\/strong>: anthropomorphic pendants, Socio-Economic Changes, Late Eneolithic,Kodjadermen-Gumelni\u0163a-Karanovo VI, Varna, Krivodol-S\u0103lcu\u0163a-Bubani<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Vanya STAVREVA<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/9-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/9-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>THE JOURNEY OF THE SPIRAL HAIR ORNAMENTSDURING THE THIRD MILLENNIUM BC. HOW DID IT BECOME SO POPULAR?<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Balcani, sud-estul Europei, Epoca Bronzului timpuriu, mileniul alIII\u2011lea a.Chr. inele de p\u0103r.<br><strong>Keywords<\/strong>: the Balkans, Southeastern Europe, Early Bronze Age, 3rd millennium BC;hair-rings.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Zheni VASILEVA<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/10-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/10-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>UN INEL CU GEM\u0102 DESCOPERIT RECENT \u00ceN DACIA SUPERIOR<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Ceres, inel cu gem\u0103, sardonyx.<br><strong>Keywords<\/strong>: Ceres, finger ring with gem, sardonyx.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Radu OTA<br>Anca MATI\u0218<br>Ovidiu-Maxim OARG\u0102<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/11-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/11-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>ROMAN GEMSTONES FROM NORTH-EASTERN TURKEY<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: geme, Amasya, Pontus, Asia Mic\u0103, nord-estul Turciei, secolele II\u2013IIIp.Chr, perioad\u0103 roman\u0103.<br><strong>Keywords<\/strong>: gems, Amasya, Pontus, Asia Minor, north-eastern Turkey, second \u2013 thirdcentury AD., Roman period.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Erg\u00fcn LAFLI<\/strong><br><strong>Martin HENIG<br><\/strong>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/12-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/12-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>AN EARLY BYZANTINE CERAMIC WORKSHOPON THE SITE OF SCAMNUM TRIBUNORUM IN NOVAE (MOESIA SECUNDA)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Moesia Secunda, Novae, perioada bizantin\u0103 timpurie, ateliere ceramice, produc\u0163ie ceramic\u0103<br><strong>Keywords<\/strong>: Moesia Secunda, Novae, Early Byzantine period, ceramic workshop, pottery production.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Alexander HARIZANOV<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/13-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/13-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>DOU\u0102 INSCRIP\u021aII GRECE\u0218TI INEDITE DE LA HISTRIA<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Histria \u00een epoca Principatului, inscrip\u0163ii noi, inscrip\u0163ii fragmentare,scrisori, horothesia.<br><strong>Keywords<\/strong>: Early Roman Histria, new inscriptions, fragmentary inscriptions, letters,horothesia.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Adela B\u00c2LT\u00c2C<\/strong><br><strong>Drago\u015f H\u0102LMAGI<br><\/strong>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/14-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/14-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>NOTES ON THE GREEK INSCRIPTIONS (IV)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: inscrip\u0163ii funerare, Tomis, onomastic\u0103, inscrip\u0163ii cre\u015ftine.<br><strong>Keywords<\/strong>: funerary inscriptions, Tomis, onomastics, Christian inscriptions<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Drago\u015f H\u0102LMAGI<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/15-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/15-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>C\u00c2TEVA OBSERVA\u021aII PRIVIND UN TEZAUR MONETAR COMPUS DIN DENARI ROMANI REPUBLICANI DESCOPERIT \u00ceN SUD-VESTUL DOBROGEI<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: tezaur, denari, Republica roman\u0103, Dobrogea, Tracia, secolele II\u2013I a.Chr.<br><strong>Keywords<\/strong>: hoard, denarii, Roman Republic, Dobruja, Thracia, 2nd\u20131st centuries BC.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Gabriel Mircea TALMA\u021aCHI<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/16-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/16-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>THE FIRST MONETARY ILLUSTRATIONS OF TEMPLES AT TOMIS<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Tomis, emisiuni monetare, temple, dinastiile Julia-Claudia \u015fi Flavii.<br><strong>Keywords<\/strong>: Tomis, monetary issues, temples, the Julia-Claudian and Flavian dynasties.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Corneliu Bogdan Nicolae BELDIANU<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/17-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/17-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>NOI DESCOPERIRI MONETARE BIZANTINE DE PE TERITORIUL DOBROGEI (SEC. VI-XII)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: numismatic\u0103 bizantin\u0103, Dobrogea bizantin\u0103, Imperiul Bizantin.<br><strong>Keywords<\/strong>: Byzantine numismatics, Byzantine Dobrogea, Byzantine Empire.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Gabriel CUSTUREA<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/18-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/18-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>MONEDE RARE \u0218I MAI PU\u021aIN CUNOSCUTEDIN COLEC\u021aIA MUZEULUI DE ISTORIE NA\u021aIONAL\u0102 \u0218I ARHEOLOGIE DIN CONSTAN\u021aA<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: dinari de Tours, state cruciate, numismatic\u0103 medieval\u0103.<br><strong>Keywords<\/strong>: dinars of Tours, crusader states, medieval numismatics.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Ana-Maria VELTER<\/strong><br><strong>Gabriel CUSTUREA<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/19-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/19-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>RELA\u021aIA DINTRE PODOABELE DACICE \u0218I MONEDELE DE IMPORT PRIN PRISMA ANALIZELOR ELEMENTALE<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: SEM\/EDX, podoabe dacice, drahme, denari, \u00eembog\u0103\u0163irea cu argint asuprafe\u0163ei, aliaje reciclate.<br><strong>Keywords<\/strong>: SEM\/EDX, Dacian jewellery, drachms, denarii, surface enrichment silver, recycled alloys<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Corina TOMA<br>Lucian BARBU-TUDORAN<br>Mihai MUNTEANU<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/20-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/20-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>ANALYSIS OF FINDS (INGOTS AND SCRAP) FROM THE PRODUCTION CENTERS NEAR ZLATAR, PRESLAV DISTRICT AND NOVOSEL, SHUMEN DISTRICT (BULGARIA) (PART I)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: analize chimice, lingouri, rebut, centre de produc\u0163ie, Novosel, Zlatar.<br><strong>Keywords<\/strong>: chemical analysis, ingots, scrap, production centers, Novosel, Zlatar.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Stella DONCHEVA<br>Nina ARCHANGELOVA<br>\u00c1kos CSEPREGI<br>Anik\u00f3 ANGYAL<br>Zita SZIKSZAI<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/21-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/21-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>ANTHROPOLOGICAL AND ARCHAEOLOGICAL INVESTIGATION OF THE NECROPOLIS (14TH\u201315TH C. AD) EXCAVATED IN 2020 AT CAPE CHIRAKMAN \/ BIZONE, KAVARVA, BULGARIA<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: analize chimice, lingouri, rebut, centre de produc\u0163ie, Novosel, Zlatar.<br><strong>Keywords<\/strong>: chemical analysis, ingots, scrap, production centers, Novosel, Zlatar.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Nadezhda ATANASSOVA<br>Velislav BONEV<br>Elena VASILEVA<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/22-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/22-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>STICLA ANTIC\u0102 DIN JUDE\u021aUL S\u0102LAJ (SECOLELE IV A. CHR. &#8211; II P. CHR.)<\/summary>\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Horea POP<\/strong><br><strong>Adrian C\u0103t\u0103lin C\u0102S\u0102LEAN<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/23-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/23-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>UNE CIT\u00c9 ANTIQUE \u00c0 TRAVERS SES SCULPTURES. LA SCULPTURE EN PIERRE \u00c0 TOMIS \u00c0 L\u2019\u00c9POQUE DU PRINCIPAT (IER-IIIE SI\u00c8CLES)<\/summary>\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Maria Alexandrescu VIANU<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/24-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/24-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>MONEDA \u00ceN A\u0218EZ\u0102RILE DACIEI ROMANE<\/summary>\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Lucian MUNTEANU<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/25-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/25-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>ORNAMENTA MULIEBRIA. EL ADORNO PERSONAL FEMENINO<br>EN M\u00c9RIDA DURANTE LA ANTIQ\u00dcEDAD<\/summary>\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Nova Barrero MARTIN<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/26-2023.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/03\/26-2023.pdf\">Open PDF version<\/a>&#8211;<\/p>","protected":false},"excerpt":{"rendered":"<p>SUMAR&#8211;deschide varianta PDF&#8211; Marian COSAC&#8211;deschide varianta PDF&#8211; Mircea V. ANGELESCU&#8211;deschide varianta PDF&#8211; Marian COSAC&#8211;deschide varianta PDF&#8211; Vladimir P. PETROVI\u0106Gordan JANJI\u0106&#8211;deschide varianta PDF&#8211; Georgi ATANASOV&#8211;deschide varianta PDF&#8211; Gergely SZENTHE&#8211;deschide varianta PDF&#8211; Evgenia KOMATAROVA-BALINOVAYavor MILTENOVAntoaneta GRANBERG&#8211;deschide varianta PDF&#8211; Elena VASILEVA&#8211;deschide varianta PDF&#8211; Vanya STAVREVA&#8211;deschide varianta PDF&#8211; Zheni VASILEVA&#8211;deschide varianta PDF&#8211; Radu OTAAnca MATI\u0218Ovidiu-Maxim OARG\u0102&#8211;deschide varianta PDF&#8211; Erg\u00fcn [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[],"class_list":["post-537","post","type-post","status-publish","format-standard","hentry","category-revista"],"_links":{"self":[{"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/posts\/537","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/comments?post=537"}],"version-history":[{"count":25,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/posts\/537\/revisions"}],"predecessor-version":[{"id":3308,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/posts\/537\/revisions\/3308"}],"wp:attachment":[{"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/media?parent=537"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/categories?post=537"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/tags?post=537"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}