{"id":968,"date":"2026-04-26T15:52:47","date_gmt":"2026-04-26T12:52:47","guid":{"rendered":"https:\/\/revistapontica.com\/?p=968"},"modified":"2026-05-04T14:30:03","modified_gmt":"2026-05-04T11:30:03","slug":"pontica-nr-55-2022","status":"publish","type":"post","link":"https:\/\/revistapontica.com\/en\/pontica-nr-55-2022\/","title":{"rendered":"Pontica No. 55 (2022)"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img fetchpriority=\"high\" decoding=\"async\" width=\"725\" height=\"1024\" src=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/55-coperta-web-725x1024.jpg\" alt=\"\" class=\"wp-image-2012\" style=\"width:550px;height:auto\" srcset=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/55-coperta-web-725x1024.jpg 725w, https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/55-coperta-web-213x300.jpg 213w, https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/55-coperta-web-9x12.jpg 9w, https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/55-coperta-web.jpg 768w\" sizes=\"(max-width: 725px) 100vw, 725px\" \/><\/figure>\n<\/div>\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-buttons is-content-justification-center is-layout-flex wp-container-core-buttons-is-layout-fe48e5de wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button is-style-outline is-style-outline--1\"><a class=\"wp-block-button__link has-small-font-size has-custom-font-size wp-element-button\" href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/pontica-55.pdf\" style=\"border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-left-radius:0px;border-bottom-right-radius:0px\"><strong>DESCHIDE PONTICA NR. 55 &#8211; VARIANTA COMPLET\u0102 \u00ceN FORMAT .PDF<\/strong> (139 Mb)<\/a><\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>SUMMARY<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/1.1-sumar-pontica-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/1.1-sumar-pontica-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>CONSTANTIN CHERA<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/1.2-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/1.2-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>PASIUNEA ARHEOLOGULUI DINCOLO DE MUZEU: IN MEMORIAM DR. CONSTANTIN CHERA<\/summary>\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>R\u0103zvan POPESCU<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/2-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/2-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>VIITORUL ARHEOLOGIEI SUBACVATICE<\/summary>\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Constantin CHERA<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/3-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/3-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>F\u00caTES CONSACR\u00c9ES \u00c0 APOLLON \u00c0 MILET ETDANS LES COLONIES MIL\u00c9SIENNES DU PONT-EUXIN<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: s\u0103rb\u0103tori, cult, epiclez\u0103, Apollon, Milet, colonii milesiene, Pontul-Euxin.<br><strong>Keywords<\/strong>: feasts, cult, epiclesis, Apollo, Miletus, the Milesian colonies, Pontus Euxinus.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Remus Mihai FERARU<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/4-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/4-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>ARCHAEOLOGICAL EXCAVATIONS ATCAPE CHIRAKMAN \/ BIZONE, KAVARNA 2016\u20132021<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: s\u0103p\u0103turi arheologice, necropole, monede, \u0219tampile amforice,locuin\u021be medievale t\u00e2rzii.<br><strong>Keywords<\/strong>: excavations, necropolis, coins, amphora stamps, Late Medieval premises<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Velislav BONEV<br>Elena VASILEVA<br>Kalin MADZHAROV<br>Yana DIMITROVA<br>Rosen PEEVSKI<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/5-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/5-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>FROM SALAMANDER TO THE ROBE OF THE FIRE RAT. AN OUTLINE HISTORY OF THE ASBESTOS FROM PREHISTORY TO THE MIDDLE AGES<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: azbest, ceramic\u0103 cu azbest, textile cu azbest, istoria azbestului.<br><strong>Keywords<\/strong>: asbestos, asbestos pottery, asbestos textile, history of asbestos.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>Bart\u0142omiej Szymon SZMONIEWSKI<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/6-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/6-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>NOI DATE PRIVIND SISTEMUL DEFENSIV AL CET\u0102\u021aII MEDIEVALE (OTOMANE) DE LA H\u00c2R\u0218OVA (JUD. CONSTAN\u021aA)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: H\u00e2r\u0219ova, epoca otoman\u0103, cetate medieval\u0103, sistem defensiv,r\u0103zboaiele ruso-turce 1768-1774, 1806-1812, 1828-1829.<\/em><br><em><strong>Keywords<\/strong>: H\u00e2r\u0219ova, Ottoman Empire, medieval fortress, defensive system,Russian-Ottoman wars 1768-1774, 1806-1812, 1828-1829.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>Constantin NICOLAE<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/en\/\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/\">deschide <\/a><a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/7-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/7-2022.pdf\">varianta PDF<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>INDUSTRIA MATERIILOR DURE ANIMALE DIN A\u0218EZAREA HAMANGIA DE LA TECHIRGHIOL DEALUL MINERVA &#8211; PALODA (CAMPANIA 2020)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: cultura Hamangia, materii prime, debitaj, fasonaj, ipoteze func\u021bionale. <\/em><br><em><strong>Keywords<\/strong>: Hamangia culture, raw materials, debitage, shaping, functional hypotheses.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Monica M\u0102RG\u0102RIT<br>Valentina VOINEA<br>Adrian B\u0102L\u0102\u0218ESCU<br>Valentin RADU<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/8-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/8-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>FIARE DE PLUG GETICE DESCOPERITE \u00ceN DOBROGEA<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Dobrogea antic\u0103, ge\u021bi, unelte agricole.<\/em><br><em><strong>Keywords<\/strong>: ancient Dobrudja, Getae, agricultural tools.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>Gabriel CUSTUREA<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/9-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/9-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>FUSAIOLE \u00ceN MORMINTELE SARMATICE DIN MUNTENIA \u0218I MOLDOVA<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte cheie<\/strong>: morminte, sarma\u021bi, Muntenia, Moldova, fusaiole.<\/em><br><em><strong>Keywords<\/strong>: graves, Sarmatians, Wallachia, Moldavia, spindle whorls<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>Liliana O\u021aA<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/10-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/10-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>TERACOTE DIN A\u0218EZAREA CIVIL\u0102 DE LA OSTROV (DUROSTORUM), JUDE\u021aUL CONSTAN\u021aA (VI)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Ostrov\/Durostorum, piese arhitecturale, pl\u0103cu\u021be, ansambluri, aplice,atelier coroplastic.<\/em><br><em><strong>Keywords<\/strong>: Ostrov\/Durostorum, architectural elements, plaques, ensembles, appliqu\u00e9s,coroplastic workshop.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Adela B\u00c2LT\u00c2C<br>Christina \u0218TIRBULESCU<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/11-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/11-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>CAMEE DE EPOC\u0102 ROMAN\u0102, CU REPREZENT\u0102RI FEMININE,<br>AFLATE \u00ceN COLEC\u021aIA MUZEUL DE ISTORIE NA\u021aIONAL\u0102 \u0218I ARHEOLOGIE CONSTAN\u021aA<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: camee, reprezent\u0103ri feminine, bijuterii, Moesia Inferior, secolele III- IV p. Chr.<\/em><br><em><strong>Keywords<\/strong>: cameos, female representations, jewelry, Moesia Inferior, 3rd-4th centuries p. Chr.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Ana Cristina GEORGESCU- HAMAT<br>Tiberiu POT\u00c2RNICHE<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/12-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/12-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>O NOU\u0102 MONED\u0102 TOMITAN\u0102 PENTRU SEVERUS ALEXANDER<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Severus Alexander, Tomis, emisiune monetar\u0103, propagand\u0103 roman\u0103 imperial\u0103.<\/em><br><em><strong>Keywords<\/strong>: Severus Alexander, Tomis, monetary issue, roman imperial propaganda.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Camelia Silvia BELDIANU<br>Corneliu Bogdan Nicolae BELDIANU<br><\/strong>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/13-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/13-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>UN LOT DE OPAI\u021aE TIMPURII DIN CARTIERUL DE SUD, EDIFICIUL 2- DOMUS, DE LA TROPAEUM TRAIANI<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Scythia, Tropaeum Traiani, opai\u021be, secolele II-IV p.Chr.<\/em><br><em><strong>Keywords<\/strong>: Scythia, Tropaeum Traiani, oil lamps, 2nd-4th AD.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Gabriel Mircea TALMA\u021aCHI<br>\u0218tefan Viorel GEORGESCU<br>Constantin \u0218OVA<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/14-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/14-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>UN LOT DE OPAI\u021aE DESCOPERIT LA CAPIDAVA (SECTOR CURTINELE A, B \u0218I C)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Scythia, Capidava, opai\u021be, secolele V-VI p. Chr.<\/em><br><em><strong>Keywords<\/strong>: Scythia, Capidava, oil lamps, 5th-6th centuries AD<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Radu PETCU<\/strong><br><strong>\u0218tefan Viorel GEORGESCU<\/strong><br><strong>Ingrid PETCU-LEVEI<br><\/strong>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/15-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/15-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>EIN (HEIZBARES?) TAUFBECKEN AUS IBIDA \/SLAVA RUS\u04d0<\/summary>\n<p class=\"wp-block-paragraph\"><strong>Keywords<\/strong>: Ibida\/Slava Rus\u04d1, Beroe\/Piatra Frec\u04d1\u0163ei, Galata near Varna\/Bulgaria, holy water-receptacle, baptismal font.<br><strong>Schl\u00fcsselw\u00f6rter<\/strong>: Ibida\/Slava Rus\u0103, Beroe\/Piatra Frec\u04d1\u0163ei, Galata bei Varna,Weihwasserbeh\u00e4lter, Taufbecken<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>Renate Johanna PILLINGER<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/16-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/16-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>CERAMIC\u0102 MEDIEVAL-TIMPURIE DIN DOBROGEA. RESTITUIRI<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: a\u0219ezare, ceramic\u0103, urcior, smal\u021b, secolele VIII-X, sud-estul Rom\u00e2niei.<\/em><br><em><strong>Keywords<\/strong>: settlement, ceramic, pitcher, glazed, 8th-10th centuries, south-east Romania<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>Cristina PARASCHIV-TALMA\u021aCHI<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/17-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/17-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>L\u2019INFLUENCE BYZANTINE SUR LA PRODUCTION C\u00c9RAMIQUE DU HAUT MOYEN \u00c2GE EN BULGARIE<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Mots<\/strong>&#8211;<strong>cl\u00e9s<\/strong>: Moyen \u00c2ge, amphoridion, cruche d\u2019amphore, production c\u00e9ramique, potterie byzantine, gla\u00e7ure.<\/em><br><em><strong>Keywords<\/strong>: Middle Ages, amphoridion, amphora jug, ceramic production, Byzantine pottery, glaze.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>Maria CHRISTOVA-PENKOVA<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/18-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/18-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>OPENWORK SLOTTED STRAP TIPS FROM NORTH-EASTERN BULGARIA<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte-cheie<\/strong>: v\u00e2rf de curea ajurat, palmet\u0103, decor \u00een form\u0103 de S, nord-estul Bulgariei.<br><strong>Keywords<\/strong>: openwork slotted belt strap tips, palmette, S-shaped decoration, Northeastern Bulgaria.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>Stella DONCHEVA<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/19-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/19-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>SEVEN NEW FRAGMENTARY INSCRIPTIONS FROM ISTROS AND TOMIS<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: inscrip\u0163ii inedite, inscrip\u021bii grece\u0219ti, Istros, Tomis, decrete,dedica\u021bii imperiale, inscrip\u021bii funerare, inscrip\u021bii votive.<\/em><br><em><strong>Keywords<\/strong>: new inscriptions, Greek inscriptions, Istros, Tomis, decrees, imperialdedications, funerary inscriptions, votive inscriptions<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Drago\u0219 H\u0102LMAGI<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/20-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/20-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>NOTES ON GREEK INSCRIPTIONS (III)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: inscrip\u0163ii grece\u015fti, Olbia, Istros, Tomis, Dionysopolis, decrete,inscrip\u021bii onorifice, inscrip\u021bii funerare, dedica\u021bii<\/em><br><em><strong>Keywords<\/strong>: Greek inscriptions, Olbia, Istros, Tomis, Dionysopolis, decrees,honorific inscriptions, funerary inscriptions, dedications<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong><strong>Drago\u0219 H\u0102LMAGI<\/strong><\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/21-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/21-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>ROMAN FUNERARY STELAI FROM MOESIA INFERIOR AND THEIR REUSE AS BUILDING MATERIAL: THE SACIDAVA CASE<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: stele funerare, spolia, Sacidava, Moesia Inferior, centurio.<br><strong>Keywords<\/strong>: funerary stelai, spolia, Sacidava, Moesia Inferior, centurio.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>Cristina-Georgeta ALEXANDRESCU<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/22-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/22-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>UN EXEMPLU DE STRATEGIE COMUNICATIV\u0102 EPIGRAFIC\u0102 \u00ceN SCYTHIA MINOR:ISM IV 16 (TROPAEUM TRAIANI)<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong>&#8211;<strong>cheie<\/strong>: Tropaeum Traiani, strategie comunicativ\u0103 epigrafic\u0103, Constantin, Licinius, ideologie imperial\u0103.<br><strong>Parole<\/strong>&#8211;<strong>chiave<\/strong>: Tropaeum Traiani, strategia comunicativa epigrafica, Costantino, Licinio, ideologia imperiale.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>Nelu ZUGRAVU<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/23-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/23-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\" open><summary>ANALIZA ANTROPOLOGIC\u0102 PRELIMINAR\u0102 A UNUI E\u0218ANTION SCHELETIC DIN CIMITIRUL DE EPOC\u0102 OTOMAN\u0102 DE LA CONSTAN\u021aA BOREAL: ASPECTE DEMOGRAFICE \u0218I MODIFIC\u0102RI PATOLOGICE<\/summary>\n<p class=\"wp-block-paragraph\"><em><strong>Cuvinte<\/strong> <strong>cheie<\/strong>: Dobrogea, Evul Mediu, perioad\u0103 otoman\u0103, cimitir, analiz\u0103 antropologic\u0103.<\/em><br><em><strong>Keywords<\/strong>: Dobruja, Middle Ages, Ottoman period, cemetery, anthropologic alanalysis<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Andreea TOMA<\/strong><br><strong>Gabriel VASILE<\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/24-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/24-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>Typology and Chronology of Red Slip Ware from Production Complexes between the Danube and the Balkan Mountain Range (2nd \u2013 3rd c. AD), Sofia, 2022, (224 p.)<\/summary>\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>Stiliyan Dimitrov INVANOV<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/25-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/25-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>The treasure from the Kaliakra Fortress. The Tatar loot, Unicart, Sofia, 2020, (208 p.)<\/summary>\n<p class=\"wp-block-paragraph\"><\/p>\n<\/details>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong><strong>Boni PETRUNOVA<\/strong><\/strong><br>&#8211;<a href=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/26-2022.pdf\" data-type=\"link\" data-id=\"https:\/\/revistapontica.com\/wp-content\/uploads\/2026\/04\/26-2022.pdf\">Open PDF version<\/a>&#8211;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>SUMAR&#8211;deschide varianta PDF&#8211; CONSTANTIN CHERA&#8211;deschide varianta PDF&#8211; R\u0103zvan POPESCU&#8211;deschide varianta PDF&#8211; Constantin CHERA&#8211;deschide varianta PDF&#8211; Remus Mihai FERARU&#8211;deschide varianta PDF&#8211; Velislav BONEVElena VASILEVAKalin MADZHAROVYana DIMITROVARosen PEEVSKI&#8211;deschide varianta PDF&#8211; Bart\u0142omiej Szymon SZMONIEWSKI&#8211;deschide varianta PDF&#8211; Constantin NICOLAE&#8211;deschide varianta PDF&#8211; Monica M\u0102RG\u0102RITValentina VOINEAAdrian B\u0102L\u0102\u0218ESCUValentin RADU&#8211;deschide varianta PDF&#8211; Gabriel CUSTUREA&#8211;deschide varianta PDF&#8211; Liliana O\u021aA&#8211;deschide varianta PDF&#8211; Adela B\u00c2LT\u00c2CChristina \u0218TIRBULESCU&#8211;deschide [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[],"class_list":["post-968","post","type-post","status-publish","format-standard","hentry","category-revista"],"_links":{"self":[{"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/posts\/968","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/comments?post=968"}],"version-history":[{"count":17,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/posts\/968\/revisions"}],"predecessor-version":[{"id":3310,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/posts\/968\/revisions\/3310"}],"wp:attachment":[{"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/media?parent=968"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/categories?post=968"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/revistapontica.com\/en\/wp-json\/wp\/v2\/tags?post=968"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}